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COMPOSERJohann Sebastian Bach
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PERFORMERAndrea Coen, Chiara Corona
Bach: Orgelbüchlein, BWV 599-644 / Coen, Corona
- Brilliant Classics
- February 7, 2025
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RELEASE DATEFebruary 07, 2025
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UPC5028421974309
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CATALOG NUMBERBRI97430
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LABELBrilliant Classics
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NUMBER OF DISCS1
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GENRE
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Nun komm, der Heiden Heiland, BWV 599
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Gottes Sohn ist kommen, BWV 600
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Herr Christ, der ein'ge Gottessohn, BWV 601
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Lob sei dem allmächtigen Gott, BWV 602
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Puer natus in Bethlehem, BWV 603
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Gelobet seist du, Jesu Christ, BWV 604
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Der Tag, der ist so freudenreich, BWV 605
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Vom Himmel hoch, da komm ich her, BWV 606
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Vom Himmel kam der Engel Schar, BWV 607
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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In dulci jubilo, BWV 608
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Lobt Gott, ihr Christen allzugleich, BWV 609
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Jesu, meine Freude, BWV 610
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christum wir sollen loben schon, BWV 611
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Wir Christenleut, BWV 612
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Helft mir Gotts Güte preisen, BWV 613
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Das alte Jahr vergangen ist, BWV 614
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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In dir ist Freude, BWV 615
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Mit Fried und Freud ich fahr dahin, BWV 616
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Herr Gott, nun schleuß den Himmel auf, BWV 617
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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O Lamm Gottes, unschuldig, BWV 618
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christe du Lamm Gottes, BWV 619
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christus, der uns selig macht, BWV 620
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Da Jesus an dem Kreuze stund, BWV 621
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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O Mensch, bewein dein Sünde gross, BWV 622
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Wir danken dir, Herr Jesu Christ, BWV 623
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Hilf Gott, dass mir's gelinge, BWV 624
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christ lag in Todesbanden, BWV 625
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Jesus Christus unser Heiland, BWV 626
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christ ist erstanden, BWV 627: Verse 1
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christ ist erstanden, BWV 627: Verse 2
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Christ ist erstanden, BWV 627: Verse 3
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Erstanden ist der heilge Christ, BWV 628
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Erschienen ist der herrliche Tag, BWV 629
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Heut triumphieret Gottes Sohn, BWV 630
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Komm, Gott Schöpfer, Heiliger Geist, BWV 631
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Herr Jesu Christ, dich zu uns wend', BWV 632
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Leibster Jesu, wir sind hier, BWV 633
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Dies sind die heil'gen zehn Gebot, BWV 635
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Vater unser im Himmelreich, BWV 636
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Durch Adams Fall ist ganz verderbt, BWV 637
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Es ist das Heil uns kommen her, BWV 638
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Ich ruf' zu dir, Herr Jesu Christ, BWV 639
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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In dich hab' ich gehoffet, Herr, BWV 640
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Wenn wir in höchsten Nöten sein, BWV 641
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Wer nur den lieben Gott lässt walten, BWV 642
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Alle Menschen müssen sterben, BWV 643
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
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Ach wie nichtig, ach wie flüchtig, BWV 644
Composer: Johann Sebastian Bach
Performer: Andrea Coen, Chiara Corona
Featuring ⌄
Product Details ⌄
Works ⌄
Innumerable transcriptions of Bach’s music were made in the 19th and 20th centuries, and many of them bear the signatures of both well-known and lesser-known composers. Among the former are Bruno G. Seidhofler’s notable piano 4-hands version of The Art of Fugue (1937) and the splendid transcription of the Orgel-Büchlein by Bernhard Friedrich Richter (1902) that is featured on this recording. The artists’ approach here – in an advanced vein of historically informed performance – takes inspiration from well-established Bach performance practice and then filters that through two specific media: the chosen instrument of an early 20th-century upright piano and the set of performance indications scrupulously laid down by Richter, which range from tempo indications assigned to each chorale and numerous (yet not too intrusive) agogic signs, to the octave doubling he often added in the soprano and/or bass.
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