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COMPOSERJANACEK, LEOS
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PERFORMERThomas Ades
Janáček: Solo Piano / Adès
- Signum Classics
- May 8, 2020
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RELEASE DATEMay 08, 2020
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UPC635212060025
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CATALOG NUMBERSIGCD600
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LABELSignum Classics
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NUMBER OF DISCS1
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GENRE
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No. 1. Naše večery (Our Evenings)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 2. Lístek odvanutý (A Blown Away Leaf)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 3. Pojd'te s námi! (Come with us!)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 4. Frýdecká Panna Maria (The Madonna of Frydek)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 5. Štěbetaly jak laštovičky (They Chattered like Swallows)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 6. Nelze domluvit! (Words fail!)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 7. Dobrou noc! (Good Night!)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 8. Tak neskonale úzko (Unutterable Anguish)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 9. V pláči (In Tears)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 10. Sýček neodletěl! (The Barn Owl has not Flown Away!)
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 11. Andante
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 12. Allegretto
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 13. Più mosso
Composer: Leoš Janáček
Performer: Thomas Adès
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No. 14. Allegro
Composer: Leoš Janáček
Performer: Thomas Adès
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I. Předtucha (Foreboding): Con moto
Composer: Leoš Janáček
Performer: Thomas Adès
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II. Smrt (Death)
Composer: Leoš Janáček
Performer: Thomas Adès
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I. Andante
Composer: Leoš Janáček
Performer: Thomas Adès
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II. Molto adagio
Composer: Leoš Janáček
Performer: Thomas Adès
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III. Andantino
Composer: Leoš Janáček
Performer: Thomas Adès
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IV. Presto
Composer: Leoš Janáček
Performer: Thomas Adès
Featuring ⌄
Product Details ⌄
Works ⌄
Recorded following an acclaimed solo concert tour, renowned performer, composer and conductor Thomas Adès performs a collection of Leos Janácek’s works for piano. Nearly all of the music for solo piano written by Leoš Janácek (1854-1928) dates from before the First World War and thus belongs to the period before the composer’s remarkable late creative surge, which was triggered by the hugely successful 1916 production in Prague of his third opera, Jenufa (1894-1903; rev. 1907-8), and facilitated by his retirement from his teaching position at the Brno Organ School. Nevertheless, all three of Janácek’s major solo piano works – On an Overgrown Path (1900-1911), From the Street 1 October 1905 (1905-6) and In the Mists (1912-13) – contain music that is both profoundly individual and also integral to the now widespread view of the composer as one the most original musical voices of early twentieth-century music.
REVIEWS:
Adès’s account of On an Overgrown Path eschews sentimentality and refuses to duck the suppressed violence that occasionally erupts. His care shown over Janácek’s inner part writing is often revelatory, and he seems very much at one with the near improvisatory nature of these pieces. There is perhaps less delicacy in his approach to the more elusive soundworld of In The Mists, but his performance is impressive for its clarity and cohesion.
– BBC Music Magazine
It’s apparent from the get-go that Adès is determined to check all expressive clichés at the recording studio door, accept Janácek’s plain-spoken syntax and lack of artifice for what they are, and simply play the music straight. Adès seems less interested in colour or moody subtext than rendering text with intensive clarity in the two-movement Sonata. An illuminating release.
– Gramophone
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