Bruckner: Symphonies Nos. 3-4, 6-9 / Jansons, BRSO

Regular price $47.99
Label
BR Klassik
Release Date
October 2, 2020
Format
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    Featuring
    • COMPOSER
      BRUCKNER, ANTON
    • ORCHESTRA / ENSEMBLE
      Symphonieorchester Des Bayerischen Rundfunks
    • PERFORMER
      Jansons
    Product Details
    • RELEASE DATE
      October 02, 2020
    • UPC
      4035719007183
    • CATALOG NUMBER
      BRK900718
    • LABEL
      BR Klassik
    • NUMBER OF DISCS
      6
    • GENRE
    Works
    1. I. Mehr langsam, misterioso

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    2. II. Adagio. Bewegt, quasi andante

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    3. III. Scherzo: Ziemlich schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    4. IV. Finale: Allegro

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    5. I. Bewegt, nicht zu schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    6. II. Andante quasi allegretto

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    7. III. Scherzo: Bewegt

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    8. IV. Finale: Bewegt, doch nicht zu schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    9. I. Maestoso

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    10. II. Adagio. Sehr feierlich

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    11. III. Scherzo: Nicht schnell - Trio: Langsam

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    12. IV. Finale: Bewegt, doch nicht zu schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    13. I. Allegro moderato

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    14. II. Adagio: sehr feierlich und sehr langsam

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    15. III. Scherzo: sehr schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    16. IV. Finale: Bewegt, doch nicht schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    17. I. Allegro moderato

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    18. II. Scherzo: Allegro moderato

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    19. III. Adagio

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    20. IV. Finale: Feierlich, nicht schnell

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    21. I. Feierlich, misterioso

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    22. II. Scherzo: Bewegt, lebhaft

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons

    23. III. Adagio: Langsam feierlich

      Composer: Anton Bruckner

      Ensemble: Symphonieorchester des Bayerischen Rundfunks

      Conductor: Mariss Jansons


Anton Bruckner's symphonies were a constant part of the repertoire for Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks. The existing recordings - almost all the great Bruckner symphonies – are important documents of Jansons’ deep understanding of the works, and the high musical quality of the recordings also testifies to the long Bruckner tradition at the BRSO. Jansons followed Bruckner’s notes and markings with painstaking precision, and listening to a recording with the score reveals again and again how closely the conductor studied these works with the musicians of his orchestra. Bruckner's symphonies form the backbone of Late Romantic symphonic music. To a certain extent, Bruckner reinvented the symphony – something that not even Liszt or Wagner had dared to do in the wake of the groundbreaking masterpieces of Beethoven, which until then had been considered the culmination and conclusion of the genre. It was Bruckner and, somewhat later, Brahms who sought and found new methods of reviving the symphonic genre and developing it further. In this regard, Bruckner's approach was entirely new. From the outset, he relied on the sound of the large orchestra and, rather than mixing the individual groups of instruments, he tended to either separate them from each other or couple them together like organ registers (with which, as an organist, he was very familiar). Terraced dynamics, that is, the immediate juxtaposition of piano and forte without transition, was also something Bruckner derived from organ music. As a church musician, he had close contact with these and other elements of Baroque music, and they flowed into his symphonies. As far as dramaturgical development was concerned, he tended to favor Schubert; indeed, it was the organic continuation and alternating interconnection of themes Bruckner had learned from Schubert that also explains the unprecedented performance length of his symphonies.