Johannes Ockeghem: Les Chanson / Jesse Rodin, Cut Circle [2 CDs]

$29.99
Label
Musique en Wallonie
Release Date
September 25, 2020
Format
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    Featuring ⌄
    • COMPOSER
      OCKEGHEM, JOHANNES
    • PERFORMER
      Cut Circle, Rodin
    Product Details ⌄
    • RELEASE DATE
      September 25, 2020
    • UPC
      5425008319957
    • CATALOG NUMBER
      MEW1995
    • LABEL
      Musique en Wallonie
    • NUMBER OF DISCS
      2
    • GENRE
      Classical
    Works ⌄

    1. Nymphes des bois - Requiem aeternam

      Composer: Josquin des Prez

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    2. Ma maistresse

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    3. Presque transi

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    4. L'autre d'antan

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    5. Ma bouche rit

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    6. Qu'es mi vida preguntays

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    7. Baisiés moy dont fort

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    8. D'ung aultre amer

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    9. Quant de vous seul

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    10. J'en ay dueil

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    11. Les desléaux ont la saison

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    12. Tant fuz gentement resjouy

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    13. S'elle m'amera/Petite camusette

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    14. Je n'ay dueil

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    15. Aultre Venus estes

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    16. Fors seulement l'attente

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    17. Fors seullement contre - Fors seulement l'attente

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    18. Alius discantus super, "O rosa bella" (arr. J. Bedyngham for 2 voices)

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    19. La despourveue et la bannie

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    20. Se vostre cuer eslongne

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    21. Prenez sur moi

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    22. Ung aultre l'a

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    23. Il ne m'en chault

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin

    24. Mort, tu as navre - Miserere a 4

      Composer: Johannes Ockeghem

      Ensemble: Cut Circle

      Conductor: Jesse Rodin



Intimacy, intensity, passion—this album explores the unfamiliar idea that fifteenth-century songs might cause us to sigh, weep, or laugh out loud. In bringing to life a world in which crying in public was not just acceptable but required, we have to take seriously the crushing despair of a line like “My only sorrow is that I am not dead,” or the undisguised sarcasm of “This is how she chopped and cooked me up.” In Johannes Ockeghem’s roughly two dozen songs we find not only unparalleled compositional prowess, but feelings that range from happiness to loss, anger to despair, and bitterness to merriment. The album’s all-vocal, fully texted, close-mic’d performances are rooted in a flexible, full-blooded vocal technique that aims to capture the music’s technical brilliance and emotional depth.