Joseph Gibbs is one of the 18th century's best-kept secrets; his music is characterful and individual, fusing the best of Italianate virtuosity with English and quirky Gibbs-ian humour. Despite the obvious brilliance of his compositions, the 8 Solos for Violin and Basso Continuo, Op. 1 of c. 1746 are one of only two published sets of music, and there are scant references to Gibbs in the years after his death. However, the re-emergence of his portrait (painted by Thomas Gainsborough) in the early years of the 20th century sparked a curiosity and interest in Gibbs's music, which has been described as amongst 'the finest English violin sonatas of the century'.