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COMPOSERKjell Mork Karlsen, Knut Vaage, Herman Vogt
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PERFORMERDaniel Saether
Karlsen, Vaage & H. Vogt: Vintersong / Saether
- LAWO Classics
- October 7, 2022
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RELEASE DATEOctober 07, 2022
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UPC7090020182582
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CATALOG NUMBERLWC1236
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LABELLAWO Classics
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NUMBER OF DISCS1
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GENRE
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Vintersong
Composer: Knut Vaage, Hanne Bramness
Performer: Daniel Sæther
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Urlicht
Composer: Knut Vaage, Anonymous
Performer: Daniel Sæther
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Laudato si'
Composer: Herman Vogt, Saint Francis of Assisi
Performer: Daniel Sæther
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I. Jordens Oro Wiker
Composer: Elis Erlandsson, Kjell Mørk Karlsen, Bo Setterlind, Pär Lagerkvist, Erik Johan Stagnelius, Verner von Heidenstam
Performer: Daniel Sæther
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II. Avskedet från livet
Composer: Elis Erlandsson, Kjell Mørk Karlsen, Bo Setterlind, Pär Lagerkvist, Erik Johan Stagnelius, Verner von Heidenstam
Performer: Daniel Sæther
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III. På Litslena kyrkogård
Composer: Elis Erlandsson, Kjell Mørk Karlsen, Bo Setterlind, Pär Lagerkvist, Erik Johan Stagnelius, Verner von Heidenstam
Performer: Daniel Sæther
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IV. Den döde
Composer: Elis Erlandsson, Kjell Mørk Karlsen, Bo Setterlind, Pär Lagerkvist, Erik Johan Stagnelius, Verner von Heidenstam
Performer: Daniel Sæther
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V. Graven
Composer: Elis Erlandsson, Kjell Mørk Karlsen, Bo Setterlind, Pär Lagerkvist, Erik Johan Stagnelius, Verner von Heidenstam
Performer: Daniel Sæther
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VI. Vi människor
Composer: Elis Erlandsson, Kjell Mørk Karlsen, Bo Setterlind, Pär Lagerkvist, Erik Johan Stagnelius, Verner von Heidenstam
Performer: Daniel Sæther
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Meditatio sacra
Composer: Kjell Mørk Karlsen, Traditional
Performer: Daniel Sæther
Featuring ⌄
Product Details ⌄
Works ⌄
All the music on this release has the countertenor as a common denominator. There is something beautifully unsettling about the voice type. It throws us back to a fortunately bygone time when the same vocal properties were reached by the barbaric practice that produced the male “castrati”. Nowadays, male singers who wish to sing in this register develop their falsetto and head voice techniques in a natural way. The three composers represented here are all honest seekers who choose to adopt different musical approaches according to their temperaments. In some cases we hear an explicit adherence to more traditional tonality. In others the connection to a tonal root is tenuous at best. Yet, each and every piece in these recordings has a particular beauty born of its inner necessities. And it is all recognizable as music.
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