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COMPOSERBACH DUPHLY COUPERIN RAMEAU
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PERFORMERSophie Yates
'La Sophie' - Popular Harpsichord Music / Sophie Yates
- Chandos
- August 1, 1996
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RELEASE DATEAugust 01, 1996
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UPC095115059821
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CATALOG NUMBERCHAN 0598
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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I. [Allegro]
Composer: Johann Sebastian Bach
Performer: Sophie Yates
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II. Andante
Composer: Johann Sebastian Bach
Performer: Sophie Yates
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III. Presto
Composer: Johann Sebastian Bach
Performer: Sophie Yates
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Pieces de clavecin, Book 4: Rondeau: La Pothouin
Composer: Jacques Duphly
Performer: Sophie Yates
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Pieces de clavecin, Book 2: 6th Ordre: Les baricades misterieuses
Composer: François Couperin
Performer: Sophie Yates
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Pieces de clavessin avec une methode pour la mechanique des doigts: Rondeau: Les cyclopes
Composer: Jean-Philippe Rameau
Performer: Sophie Yates
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I. Prelude
Composer: George Frideric Handel
Performer: Sophie Yates
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II. Allemande
Composer: George Frideric Handel
Performer: Sophie Yates
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III. Courante
Composer: George Frideric Handel
Performer: Sophie Yates
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IV. Air and Variations, "Harmonious Blacksmith"
Composer: George Frideric Handel
Performer: Sophie Yates
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Pieces de clavecin, Book 1: 4th Ordre: Le reveil-matin
Composer: François Couperin
Performer: Sophie Yates
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Premier livre de pieces de clavecin, Suite No. 3: No. 15. Le Coucou
Composer: Louis-Claude Daquin
Performer: Sophie Yates
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Pieces de clavecin, Book 4: 26th Ordre: La Sophie
Composer: François Couperin
Performer: Sophie Yates
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Keyboard Sonata in C Major, K.513/L.S3/P.176: Moderato e molto allegro - Presto
Composer: Domenico Scarlatti
Performer: Sophie Yates
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Harpsichord Sonata in A Major, K.24/L.495/P.80: Presto
Composer: Domenico Scarlatti
Performer: Sophie Yates
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La poule (The hen)
Composer: Jean-Philippe Rameau
Performer: Sophie Yates
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Gavotte and Variations
Composer: Jean-Philippe Rameau
Performer: Sophie Yates
Featuring ⌄
Product Details ⌄
Works ⌄
Recorded in: St Bartholemew's Church, Orford, Suffolk 11-13 December 1995 Producer(s) Gary Cole Sound Engineer(s) Gary Cole Richard Smoker (Assistant)
REVIEW
Yates shows lots of vivacity as well as the crisp neatness we have come to expect of her. The finale of the Italian Concerto, for example, simply bubbles with joyousness, as does the exuberant bravura A major Sonata by Scarlatti. She is admirably precise in the Rameau gavotte and variations, direct and simple in Le coucou, brings real brio to the Courante of the Handel suite (she treats its Allemande rather freely); her performance of the unusually shaped C major Sonata by Scarlatti – a quiet pastoral followed by rural bagpiping and then noisy revelry – is excellent. But to me one of the highlights of her recital is Duphly’s superb melancholy rondeau: I have heard it played with greater gravitas, but it is entirely convincing in her hands; and the much-employed low register of her Goujon-type harpsichord sounds very fine.
--Gramophone
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