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COMPOSERLASSO, ORLANDO DI
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PERFORMERDie Singphoniker
Lasso: Psalmus / Die Singphoniker
- CPO
- November 1, 2019
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RELEASE DATENovember 01, 2019
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UPC761203526420
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CATALOG NUMBER555264-2
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LABELCPO
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NUMBER OF DISCS2
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GENRE
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Domine, ne in furore
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Miserere mei, Domine
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Laboravi in gemitu meo
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Discedite a me
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Gloria Patri
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Beati quorum
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Quoniam tacui
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Delictum meum
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Intellectum tibi dabo
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Laetamini in domino
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Domine, ne in furore
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Domine, ante te
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Ego autem
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Inimici autem
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Gloria Patri
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Miserere mei
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Asperges me
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Redde mihi laetitiam
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Gloria Patri
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Domine, exaudi, orationem mean
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Similis factus sum
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Dies mei sicut umbra declinaverunt
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Scribantur haec in generatione altera
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Respondit ei in via virtutis suae
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Filii servorum tuorum habitabunt
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Gloria Patri
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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De profundis clamavo ad te, Domine
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Sustinuit anima mea in verbo ejus
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Domine, exaudi
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Memor fui dierum
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Auditam fac mihi
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Eripe me de inimicis
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Gloria Patri
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Prima pars: Alleluia: Laudate Dominum
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Secunda pars: Laudate Dominum, de terra
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Tertia pars: Trio: Iuvenes et virgines
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
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Quarte pars: Sex vocum: Laudate eum in virtibus eius
Composer: Orlande de Lassus
Ensemble: Die Singphoniker
Featuring ⌄
Product Details ⌄
Works ⌄
Following the successful albums Hymnus and Magnificat with music by Orlando di Lasso the Singphoniker are now concluding their little Lasso cycle with a recording of his complete Penitential Psalms. It was around 1559 that the Bavarian Duke Albrecht V commissioned a manuscript in which the textual, pictorial, and musical dimensions were to be combined. Orlando di Lasso was assigned the task of setting the seven Penitential Psalms, a group of texts regarded as a unit since ancient times, and rounded off this work with praise of God in the form of a motet on Psalms 148 and 150. Lasso set the texts verse by verse, in this way drawing on an old liturgical model for Psalm settings. This method means that relatively short textual units produce a self-contained musical whole with component parts of rather limited extent; the musical form, the structure of the composition of an entire psalm, is developed from the design of the text. Just how very much the composer was thinking of the traditional manner of singing is shown in particular by the sixth Penitential Psalm, in which he bases his setting on the monophonic liturgical singing of psalms in the Lydian mode and uses it as a cantus firmus. It is certainly no coincidence that in the nineteenth century the first significant edition of Lasso’s music was dedicated to the Penitential Psalms: Siegfried Wilhelm Dehn (who, by the way, taught Clara Schumann and Mikhail Glinka) published it in 1838. This is finely crafted and highly impressive music – and again and again the Singphoniker amaze us with their sonorous renderings of it.
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