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COMPOSERLASSUS, ORLANDUS
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PERFORMERMusica Ficta, Holten
Lassus: St. Matthew Passion / Holten, Musica Ficta
- Naxos
- February 9, 2018
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RELEASE DATEFebruary 09, 2018
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UPC747313384075
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CATALOG NUMBER8573840
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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Passio Domini nostri Jesu Christi (Evangelist, Jesus, Priest)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Ut quid perditio haec (Chorus, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Quid vultis mihi dare et ego vobis eum tradam? (Judas, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Ubi vis paremus (Chorus, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Numquid ego sum, Domine? (Chorus, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Numquid ego sum rabbi? (Judas, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Expectans expectavi Dominum (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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Et hymno dicto exierunt (Evangelist, Jesus)
Composer: Orlande de Lassus
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Et si omnes scandalizati fuerint in te (Petrus, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Etiam si oportuerit me mori tecum (Petrus, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Tristis est anima mea (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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Et progressus pusillum procidit (Evangelist, Jesus)
Composer: Orlande de Lassus
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Qui vult venire post me (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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Quemcumque osculatus fuero (Judas, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Ave rabbi (Judas, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Animam meam dilectam tradidi (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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At illi tenentes Iesum (Evangelist)
Composer: Orlande de Lassus
Performer: Torsten Nielsen
Conductor: Bo Holten
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Hic dixit possum destruere templum Dei (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Nihil respondes ad ea (Priest, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Adiuro te per Deum vivum (Priest, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Blasphemavit quid adhuc egemus testibus (Priest, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Reus est mortis (Priest, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Prophetiza nobis Christe (Priest, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Et tu cum Iesu Galilaeo eras (Ancilla, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Nescio quid dicis (Petrus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Et hic erat cum Iesu Nazareno (Ancilla, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Vere et tu ex illis (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Lagrime di San Pietro: No. 3. Tre volte havev'a
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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Mane autem facto (Evangelist, Judas)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Quid ad nos tu videris? (Priest, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Non licet mittere eos in corbanan (Priest, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Tu es rex Iudaeorum? (Pilatus, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Non audis quanta adversum te dicant testimonia? (Pilatus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Quem vultis dimittam vobis (Pilatus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Nihil tibi et iusto illi (Pilate's wife, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Quem vultis vobis (Pilatus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Barabbam! (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Quid igitur faciam de Iesu (Pilatus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Crucifigatur! (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Quid enim mali fecit? (Pilatus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Crucifigatur! (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Innocens ego sum (Pilatus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Sanguis eius super nos (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Ave rex Judaeorum (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Vah, qui destruit templum (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Alios salvos fecit Helias (Priest, Evangelist, Jesus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen, Lauritz Jakob Thomsen
Conductor: Bo Holten
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Heliam vocat iste (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Sine videamus an veniat Helias (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Agnus Dei (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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Et ecce velum temple (Evangelist)
Composer: Orlande de Lassus
Performer: Torsten Nielsen
Conductor: Bo Holten
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Vere Dei Filius erat iste (Chorus, Evangelist)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Performer: Torsten Nielsen
Conductor: Bo Holten
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Mors tua, mors Christi (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
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Cum autem sero factum (Evangelist)
Composer: Orlande de Lassus
Performer: Torsten Nielsen
Conductor: Bo Holten
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Agnus Dei (Chorus)
Composer: Orlande de Lassus
Ensemble: Musica Ficta
Conductor: Bo Holten
Featuring ⌄
Product Details ⌄
Works ⌄
What Holten has attempted is not so much a reconstruction of what Lassus’ music might have sounded like when sung in Munich in 1575 but rather what he thinks ‘might be a way of making Lassus’ wonderful music accessible to a modern audience, making its natural and reticent telling of the story easy and appealing to follow’.
Be aware that despite Holten’s presentation, Lassus’ St Matthew Passion is very different from Bach’s masterpiece. It’s closer to the near-plainsong style of the early renaissance settings such as Richard Davy’s St Matthew Passion, contained in the Eton Choirbook. What Holten has done, however, is to set Lassus’ beautiful polyphonic choral music within the plainchant setting. Sample, if you can, track 16, the inserted Good Friday motet Animam meam dilectam tradidi (I have betrayed my beloved soul into the hands of the wicked). He even includes an excerpt from Lassus’ Italian madrigal collection Lagrime di San Pietro (Tears of Saint Peter) at the appropriate point midway through the narrative.
That may well set you in search of the complete Lagrime, also very well performed by Bo Holten, with Ars Nova, on an earlier Naxos release (8.553311). Another very fine recording from Philippe Herreweghe and the Ensemble Vocal Européen is also recommendable (Harmonia Mundi d’Abord HMA1951483).
A third very fine recording, from Gallicantus and Gabriel Crouch comes at full price (Signum SIGCD339) but can be downloaded from Hyperion, with pdf booklet. Any one of these would do very nicely but the availability of the Signum in very good 24/96 sound from Hyperion, at a reasonable price – less than other download suppliers and less than the CD – may well clinch the matter. Lassus’ last known work, Lagrime makes a fitting supplement to the Matthew Passion.
I must also include a reminder another recording which features Lassus’ music for Passiontide. If you missed my strong recommendation of Stile Antico’s Passion and Resurrection (Harmonia Mundi HMU807555) in 2013 or John Quinn’s review of the same – Recording of the Month – now is the time to catch up. Lassus’ setting of the responsory In Monte Oliveti is only one of the treasures there.
It’s not clear why Lassus’ passion settings are so sparse, but this recording insets into the rather austere chant polyphonic jewels of great beauty, all rounded off with a performance of Agnus Dei. Austere settings of Passiontide music can be very moving, as in the case of Schütz’s St Matthew Passion, almost a century later (1666), but I found the pairing of austerity and beauty on the new Naxos Lassus recording extremely effective.
It’s less clear why Holten has decided to divide the music after the excerpt from Lagrime di San Pietro between the events of Maundy Thursday and those of Good Friday. There is no liturgical reason to do so: the St Matthew Passion would have been recited on Palm Sunday and the St John on Good Friday. There was no Passion reading at Mass on Maundy Thursday, the gospel for that day referring to the blessing of the oils.
That’s a minor niggle when the performances and recording are so good. Having listened in very decent mp3 via Naxos Music Library, I was pleased that the CD-quality press preview sounded even better. The full text and translation are included but that seems to have reduced the space for Bo Holten’s notes to just one side; I would have liked more.
The supposedly inviolable 80-minute limit for CDs was breached some time ago, but I don’t remember one so long as this. It’s certainly not a question of ‘never mind the quality; feel the width’, but it’s good to have this austere but beautiful setting, enlivened with polyphony, in very fine performances and all contained on a CD running to over 88 minutes. Complement it with the Lagrime di San Pietro.
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