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COMPOSERLEHAR, FRANZ
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PERFORMERReiss, Mills, Klink, Simon, Chor Des Bayerischen Rundfunks, Muenchner Rundfunkorchester, Schirmer
Lehar: Das Furstenkind / Schirmer, Muenchner Rundfunkorchester
- CPO
- June 25, 2013
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RELEASE DATEJune 25, 2013
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UPC761203768028
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CATALOG NUMBER777680-2
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LABELCPO
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NUMBER OF DISCS2
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I. Introduction: Prelude
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Conductor: Ulf Schirmer
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II. Introduction: Dialog
Composer: Franz Lehár
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III. Introduction: Papa, ich bin verliebt (Photini, Bill Harris)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Chen Reiss, Ralf Simon
Conductor: Ulf Schirmer
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IV. Introduction: Mutter ging schlafen (Stavros, Christodulos, Photini)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Chen Reiss, Matthias Klink
Conductor: Ulf Schirmer
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V. Introduction: Dialog
Composer: Franz Lehár
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VI. Introduction: Pallikarenlied (Lange, Joahre, Stavros)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Matthias Klink
Conductor: Ulf Schirmer
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VII. Introduction: Dialog
Composer: Franz Lehár
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VIII. Introduction: Finale I (Photini, Nydia, Harris, Perikles, Christodulos, Barley, Doktor, Chorus)
Composer: Franz Lehár
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Chen Reiss, Mary Mills, Matthias Klink, Ralf Simon
Conductor: Ulf Schirmer
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IX. Introduction: Rauber-Marsch
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Conductor: Ulf Schirmer
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X. Act I: Ensemble (Stavros, Spiro, Phalatis, Koltzida, Tamburis, Chorus)
Composer: Franz Lehár
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Matthias Klink
Conductor: Ulf Schirmer
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XI. Act I: Dialog
Composer: Franz Lehár
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XII. Act I: Kindchen, sei hubsch brav (Mary-Ann)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills
Conductor: Ulf Schirmer
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XIII. Act I: Dialog
Composer: Franz Lehár
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XIV. Act I: Ich diene so gerne den Damen (Mary-Ann, Stavros)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills, Matthias Klink
Conductor: Ulf Schirmer
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XV. Act I: Dialog
Composer: Franz Lehár
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XVI. Act I: Szene (Mary-Ann, Stavros)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills, Matthias Klink
Conductor: Ulf Schirmer
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XVII. Act I: Dialog
Composer: Franz Lehár
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XVIII. Act I: Ensemble (Mary-Ann, Gwendolyne, Doktor, Stavros)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills, Matthias Klink
Conductor: Ulf Schirmer
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XIV. Act I: Wusstest du, Madchen, wie wohl das tut (Mary-Ann, Stavros)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills, Matthias Klink
Conductor: Ulf Schirmer
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XX. Act I: Dialog
Composer: Franz Lehár
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XXI. Act I: Ensemble (Stavros, Prikles, Rauber, Gendarmen)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Matthias Klink
Conductor: Ulf Schirmer
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XXII. Act I: Dialog
Composer: Franz Lehár
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XXIII. Act I: Finale II (Mary-Ann, Photini, Gwendolyne, Harris, Stavros, Spiro, Doktor, Tamburis)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills, Matthias Klink
Conductor: Ulf Schirmer
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XXIV. Act I: Resignation
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Conductor: Ulf Schirmer
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XXV. Act II: Dialog
Composer: Franz Lehár
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XXVI. Act II: Quintet: Walzer, wer hat dich wohl erdacht? (Mary-Ann, Photini, Gwendolyne, Harris, Doktor)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Chen Reiss, Mary Mills
Conductor: Ulf Schirmer
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XXVII. Act II: Dialog
Composer: Franz Lehár
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XXVIII. Act II: Jung und Alt (Mary-Ann, Stavros)
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Performer: Mary Mills, Matthias Klink
Conductor: Ulf Schirmer
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XXIX. Act II: Dialog
Composer: Franz Lehár
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XXX. Act II: Melodram
Composer: Franz Lehár
Ensemble: Münchner Rundfunkorchester
Conductor: Ulf Schirmer
Featuring ⌄
Product Details ⌄
Works ⌄
Das Fuerstenkind (The Prince’s Child) has always been an “insider’s tip” in Lehár’s oeuvre, and the composer himself regarded this robbers’ tale from Greece premiered in 1909 as one of his best works. It was also his problem child because it never became a sensational success. The reason may have been due to the works blurring of boundaries between opera and operetta.
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