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COMPOSERLEO, LEONARDO
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PERFORMERVarious
Leo: Dalla morte alla vita di S. Maria Maddalena / Prontera, Orchestra Barocca la Confraternita de Musici
- Bongiovanni
- July 24, 2020
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RELEASE DATEJuly 24, 2020
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UPC8007068257928
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CATALOG NUMBERGB2579/80-2
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LABELBongiovanni
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NUMBER OF DISCS2
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GENRE
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Act I: Sinfonia, dall'Oratorio Santa
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Conductor: Cosimo Prontera
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Act I Scene 1: Aria: È lampo, è strale (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act I Scene 1: Recitaive: Livia. Signora (Maddalena, Livia)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska, Gian Luca Pasolini
Conductor: Cosimo Prontera
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Act I Scene 1: Aria: Di nastri e fiori (Livia)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini
Conductor: Cosimo Prontera
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Act I Scene 2: Si partìo la padrona, anzi mia figlia (Livia) - Scene 3: Ah, ah! (Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act I Scene 4: Aria: Vì, vì chi vole fare (Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act I Scene 5: Recitative: Dunque, a tanto s'avanza (Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre
Conductor: Cosimo Prontera
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Act I Scene 5: Aria: Nume bendato (Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre
Conductor: Cosimo Prontera
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Act I Scene 5: Recitative: Eccola, ma con lei (Materno, Maddalena, Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre, Agata Bienkowska, Carlo Torriani
Conductor: Cosimo Prontera
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Act I Scene 6: Aria: Sapete perchè bella (Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Carlo Torriani
Conductor: Cosimo Prontera
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Act I Scene 6: Recitative: È vero ma (Maddalena, Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska, Carlo Torriani
Conductor: Cosimo Prontera
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Act I Scene 9: Aria: Pupille vezzose (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Paolo Lopez
Conductor: Cosimo Prontera
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Act I Scene 9: Recitative: Io creo ca se volissimo (Antuono, Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Giuseppe Naviglio, Agata Bienkowska
Conductor: Cosimo Prontera
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Act I Scene 10: Aria: Se quel cor (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act I Scene 12: Recitative: Vorrei signora Livia (Angiolo, Livia)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni, Gian Luca Pasolini
Conductor: Cosimo Prontera
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Act I Scene 12: Aria: Amore e gelosia (Angiolo)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni
Conductor: Cosimo Prontera
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Act I Scene 13: Aria: Amore è un certo foco (Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre
Conductor: Cosimo Prontera
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Act I Scene 13: Recitative: Idolo mio (Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre
Conductor: Cosimo Prontera
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Act I Scene 14: Aria: So che sei tutto il mio core (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act I Scene 14: Recitative: Sentitemi (Materno, Lico, Maddalena) - Scene 15: Signora ai vostri piedi (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre, Paolo Lopez, Agata Bienkowska
Conductor: Cosimo Prontera
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Act I Scene 16: Aria: E perchè sorte tiranna (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Paolo Lopez
Conductor: Cosimo Prontera
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Act I Scene 16: Aria: Amor che mi fa piangere (Livia)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini
Conductor: Cosimo Prontera
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Act I Scene 16: Recitative: Della padrona mia (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act I Scene 16: Duet: Prendi pur quel legno (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II Scene 1 : Recitative: Sin da quell'ora (Angiolo, Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni, Agata Bienkowska
Conductor: Cosimo Prontera
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Act II Scene 1: Aria: Di tanta cortesia (Angiolo)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni
Conductor: Cosimo Prontera
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Act II Scene 1: Recitative: Materno, oh Dio (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act II Scene 1: Aria: L'amore che cos'è (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act II Scene 2: Recitative: Mi preparo all’attacco (Demonio, Maddalena, Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Carlo Torriani, Agata Bienkowska, Enrico Torre
Conductor: Cosimo Prontera
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Act II Scene 3: Aria: Da fiera gelosia (Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre
Conductor: Cosimo Prontera
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Act II Scene 3: Recitative: Angiolo, t'assicuro (Maddalena, Lico
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska, Paolo Lopez
Conductor: Cosimo Prontera
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Act II Scene 5: Duet: Se dico che t'adoro (Maddalena, Angiolo)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska, Aurelio Schiavoni
Conductor: Cosimo Prontera
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Act II Scene 5: Recitative: La gelosia mi rode (Materno, Lico, Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre, Paolo Lopez, Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II: Scene 9 Duet: Sei pentito? (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II Scene 10: Recitative: Solo. Se non sa quanto (Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Enrico Torre
Conductor: Cosimo Prontera
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Act II Scene 10: Aria: Fu Circe (Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Carlo Torriani
Conductor: Cosimo Prontera
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Act II Scene 12: Recitative: Vieni e assiditi meco (Maddalena, Angiolo) - Scene 13: Eccomi a’ vostri piedi (e dall’amante mai non si disgiunse.) (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska, Aurelio Schiavoni, Paolo Lopez
Conductor: Cosimo Prontera
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Act II Scene 14: Recitative: Finitela una volta (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Paolo Lopez
Conductor: Cosimo Prontera
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Act II Scene 14: Aria: Aprimi il petto ingrata (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Paolo Lopez
Conductor: Cosimo Prontera
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Act II Scene 16: Aria: Con la forza e con gl’inganni (Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Carlo Torriani
Conductor: Cosimo Prontera
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Act II Scene 17: Recitative: Prendi o caro (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II Scene 17: Duet: Refunne Livia mia (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II Scene 17: Recitative: Dico il vero (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II Scene 17: Aria: Ammore c’ha lo core (Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act II Scene 17: Recitative and Aria: Antuono … Ahi vino maledetto (Livia)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini
Conductor: Cosimo Prontera
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Act III Scene 1: Aria: Di Cupido il mar infido (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act III Scene 3: Aria: Il nemico che mi fa guerra (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Paolo Lopez
Conductor: Cosimo Prontera
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Act III Scene 3: Recitative: Spiegati (Angiolo, Lico, Antuono, Maddalena, Matterno) - Scene 4: Pugnerò tuo malgrado. (Lico)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni, Paolo Lopez, Giuseppe Naviglio, Agata Bienkowska, Enrico Torre
Conductor: Cosimo Prontera
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Act III Scene 5: Aria: Femmene vroccolose (Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act III: Funeral March - Scene 9: Recitative: Ahu (Antuono, Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Giuseppe Naviglio, Agata Bienkowska
Conductor: Cosimo Prontera
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Act III Scene 9: Aria: Se dunque o misera (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act III Scene 15: Recitative: Maddalena. Che vedo (Maddalena, Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska, Enrico Torre
Conductor: Cosimo Prontera
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Act III Scene 15: Aria: Ecco ahimé (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act III Scene 15: Recitative: Misero, gioco restai (Demonio)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Carlo Torriani
Conductor: Cosimo Prontera
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Act III Scene 15: Duet: Perduta mia speranza (Demonio, Angiolo)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Carlo Torriani, Aurelio Schiavoni
Conductor: Cosimo Prontera
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Act III Scene 15: Quartet: Vola o core (Angelo, Maria Maddalena e materno, Lico e Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni, Agata Bienkowska, Enrico Torre, Paolo Lopez, Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act III Scene 17: Recitative: Del maritaggio (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act III Scene 17: Aria: A me questo (Livia)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini
Conductor: Cosimo Prontera
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Act III Scene 17: Recitative: Razza maledetta (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act III Scene 17: Duet: Se ti giungo (Livia, Antuono)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Gian Luca Pasolini, Giuseppe Naviglio
Conductor: Cosimo Prontera
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Act III Last Scene: Aria: Dell'inferno la vana follia (Angiolo)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni
Conductor: Cosimo Prontera
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Act III Last Scene: Recitative: Viva, viva Gesù (Angiolo, Materno)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Aurelio Schiavoni, Enrico Torre
Conductor: Cosimo Prontera
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Act III Last Scene: Aria: Meritar come poss'io (Maddalena)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
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Act III Last Scene: Final Chorus: Correte a Maddalena (Tutti)
Composer: Leonardo Leo
Ensemble: Orchestra Barocca la Confraternita de Musici
Performer: Agata Bienkowska
Conductor: Cosimo Prontera
Featuring ⌄
Product Details ⌄
Works ⌄
The present recording brings to a fitting conclusion a long process of research, study and performance of a hitherto lost and forgotten 18th century musical work from Italy. The composer, Leonardo Leo, was born in 1694 in San Vito dei Normanni (Brindisi) and died some 50 years later in Naples. One of the greatest of the so-called Neapolitan School, he had a major impact on music teaching in Europe. Already a fully-fledged composer, in 1722 the young Leo set to music the sacred work Dalla morte alla vita di Santa Maria Maddalena eremita on commission from the town council of Atrani, a small attractive coastal location near Amalfi, to celebrate the patron saint Mary Magdalen. After this performance the work was never mentioned again and all catalogues of Leonardo Leo’s output stated that the manuscript score was lost. In fact, a copy of it had travelled to southern France and reappeared in 2009 in a Paris bookshop. The Leonardo Leo Centre of Studies and Documentation acquired the manuscript in 2012. The manuscript comprises some 200 pages, many of them clearly in Leonardo Leo’s own hand, and was scrupulously transcribed with a view to correct performance practice. This was seen on several occasions in 2019 when the work was staged, albeit with several numbers removed, of which the present album is a faithful live recording. The road that led to this result was beset with many difficulties but the great determination of all those concerned beat the odds and has added a work of great value to Leonardo Leo’s surviving output and an invaluable source to knowledge of sacred music performance in the first half of the 18th century.
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