Licht in der Nacht: Songs of Debussy, Ravel, Berg, A. Mahler et al. / Dutilleul, Lahiry

$20.99
Label
Fuga Libera
Release Date
October 28, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Various
    • PERFORMER
      Coline Dutilleul, Kunal Lahiry
    Product Details ⌄
    • RELEASE DATE
      October 28, 2022
    • UPC
      5400439008106
    • CATALOG NUMBER
      FUG810
    • LABEL
      Fuga Libera
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. No. 1. Erwartung

      Composer: Arnold Schoenberg

      Performer: Coline Dutilleul, Kunal Lahiry

    2. No. 2. Schenk mir deinen goldenen Kamm

      Composer: Arnold Schoenberg

      Performer: Coline Dutilleul, Kunal Lahiry

    3. No. 3. Erhebung

      Composer: Arnold Schoenberg

      Performer: Coline Dutilleul, Kunal Lahiry

    4. No. 4. Waldsonne

      Composer: Arnold Schoenberg

      Performer: Coline Dutilleul, Kunal Lahiry

    5. No. 1. La flûte de Pan

      Composer: Claude Debussy

      Performer: Coline Dutilleul, Kunal Lahiry

    6. No. 2. La chevelure

      Composer: Claude Debussy

      Performer: Coline Dutilleul, Kunal Lahiry

    7. No. 3. Le tombeau des naïades

      Composer: Claude Debussy

      Performer: Coline Dutilleul, Kunal Lahiry

    8. Fantasien über Gedichte von Richard Dehmel (Fantasies after poems by Richard Dehmel), Op. 9: No. 1. Stimme des Abends

      Composer: Alexander Zemlinsky

      Performer: Kunal Lahiry

    9. No. 1. D'Anne qui me jecta de la neige

      Composer: Maurice Ravel

      Performer: Coline Dutilleul, Kunal Lahiry

    10. No. 2. D'Anne jouent de l'espinette

      Composer: Maurice Ravel

      Performer: Coline Dutilleul, Kunal Lahiry

    11. D'un jardin clair

      Composer: Lili Boulanger

      Performer: Kunal Lahiry

    12. No. 1. Die stille Stadt (The Quiet Town)

      Composer: Alma Maria Mahler-Werfel

      Performer: Coline Dutilleul, Kunal Lahiry

    13. No. 2. In meines Vaters Garten (In My Father's Garden)

      Composer: Alma Maria Mahler-Werfel

      Performer: Coline Dutilleul, Kunal Lahiry

    14. No. 3. Laue Sommernacht (Mild Summer's Night)

      Composer: Alma Maria Mahler-Werfel

      Performer: Coline Dutilleul, Kunal Lahiry

    15. No. 4. Bei dir ist es traut (With You it is Pleasant)

      Composer: Alma Maria Mahler-Werfel

      Performer: Coline Dutilleul, Kunal Lahiry

    16. No. 5. Ich wandle unter Blumen (I Stroll Among Flowers)

      Composer: Alma Maria Mahler-Werfel

      Performer: Coline Dutilleul, Kunal Lahiry

    17. Reflets

      Composer: Lili Boulanger

      Performer: Coline Dutilleul, Kunal Lahiry

    18. Un grand sommeil noir

      Composer: Nadia Boulanger

      Performer: Coline Dutilleul, Kunal Lahiry

    19. Clairières dans le ciel: No. 6. Si tout ceci n'est qu'un pauvre rêve (If all this is but a poor dream)

      Composer: Lili Boulanger

      Performer: Coline Dutilleul, Kunal Lahiry

    20. No. 1. Aus dem Schmerz sein Recht

      Composer: Alban Berg

      Performer: Coline Dutilleul, Kunal Lahiry

    21. No. 2. Schlafend trägt man mich

      Composer: Alban Berg

      Performer: Coline Dutilleul, Kunal Lahiry

    22. No. 3. Nun ich der Riesen Stärksten überwand

      Composer: Alban Berg

      Performer: Coline Dutilleul, Kunal Lahiry

    23. No. 4. Warm die Lüfte

      Composer: Alban Berg

      Performer: Coline Dutilleul, Kunal Lahiry


Coline Dutilleul writes: "What could be more fascinating than the play of light and shadow? To descend into sensual melancholy, to dare to be fragile and to reveal oneself in its depths and inner nuances. I find that one way of illustrating this complexity of the senses is to compare two musical and pictorial schools: French Impressionism and German Expressionism. The colors and timbres employed by these two schools have long fascinated me just as much as the extreme refinement and detail of the paintings and compositions themselves. Each painter and composer explored the depths of the human soul in his or her own manner. This program of works composed between 1899-1914 that laid the foundations for modern music is intended as a bridge between Expressionism and Impressionism. This parallel does not claim to illustrate their differences but rather to highlight their common points, to reveal the voluptuous and almost decadent sensuality of these two currents as well as their geographical and stylistic contrasts."