Liszt: 12 Grandes etudes / Jin

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Label
Naxos
Release Date
March 10, 2017
Format
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    Featuring ⌄
    • COMPOSER
      LISZT, FRANZ
    • PERFORMER
      Wenbin Jin
    Product Details ⌄
    • RELEASE DATE
      March 10, 2017
    • UPC
      747313370979
    • CATALOG NUMBER
      8573709
    • LABEL
      Naxos
    • NUMBER OF DISCS
      1
    • GENRE
      Chamber Music & Recitals
    Works ⌄

    1. No. 1 in C Major: Presto

      Composer: Franz Liszt

      Performer: Wenbin Jin

    2. No. 2 in A Minor: Molto vivace

      Composer: Franz Liszt

      Performer: Wenbin Jin

    3. No. 3 in F Major: Poco adagio

      Composer: Franz Liszt

      Performer: Wenbin Jin

    4. No. 4 in D Minor: Allegro patetico

      Composer: Franz Liszt

      Performer: Wenbin Jin

    5. No. 5 in B-Flat Major: Egualmente

      Composer: Franz Liszt

      Performer: Wenbin Jin

    6. No. 6 in G Minor: Largo patetico

      Composer: Franz Liszt

      Performer: Wenbin Jin

    7. No. 7 in E-Flat Major: Allegro deciso

      Composer: Franz Liszt

      Performer: Wenbin Jin

    8. No. 8 in C Minor: Presto strepitoso

      Composer: Franz Liszt

      Performer: Wenbin Jin

    9. No. 9 in A-Flat Major: Andantino

      Composer: Franz Liszt

      Performer: Wenbin Jin

    10. No. 10 in F Minor: Presto molto agitato

      Composer: Franz Liszt

      Performer: Wenbin Jin

    11. No. 11 in D-Flat Major: Lento assai - Andantino - Allegro vivace

      Composer: Franz Liszt

      Performer: Wenbin Jin

    12. No. 12 in B-Flat Minor: Andantino

      Composer: Franz Liszt

      Performer: Wenbin Jin


Liszt’s musical precocity can be measured by the fact that at the age of thirteen he had begun work on what was to become his Op.6, the Etude en douze exercices. After later revisions this became the Grandes Études of 1837 and, with simplifications, the Études d’exécution transcendante of 1851. The monumental 1837 studies were composed after years of travel and at a time when Liszt’s virtuoso status was near its zenith. He transformed the earlier prototype studies, through the prism of his own transcendental technique, into etudes of coruscating technical difficulty and extraordinarily vivid characterisation.