Liszt: Annees de Pelerinage

Regular price $26.99
Label
IBS Classical
Release Date
October 18, 2024
Format
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    Featuring
    • COMPOSER
      Franz Liszt
    • PERFORMER
      Miriam Gomez Moran
    Product Details
    • RELEASE DATE
      October 18, 2024
    • UPC
      8436597700757
    • CATALOG NUMBER
      IBS-52024
    • LABEL
      IBS Classical
    • NUMBER OF DISCS
      3
    • GENRE
    Works
    1. No. 1. La chapelle de Guillaume Tell (The Chapel of William Tell)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    2. No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    3. No. 3. Pastorale (Pastoral)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    4. No. 4. Au bord d'une source (Beside a Spring)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    5. No. 5. Orage (Storm)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    6. No. 6. Vallée d'Obermann (Valley of Obermann)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    7. No. 7. Eclogue (Eclogue)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    8. No. 8. Le mal du pays (Homesickness)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    9. No. 9. Les cloches de Genève (The Bells of Geneva)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    10. No. 1. Sposalizio (Marriage of the Virgin)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    11. No. 2. Il penseroso (The Thinker)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    12. No. 3. Canzonetta del Salvator Rosa (Canzonetta of Salvador Rosa)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    13. No. 4. Sonetto 47 del Petrarca (Sonnet 47 of Petrarch)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    14. No. 5. Sonetto 104 del Petrarca (Sonnet 104 of Petrarch)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    15. No. 6. Sonetto 123 del Petrarca (Sonnet 123 of Petrarch)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    16. No. 7. Après une lecture du Dante, Fantasia quasi Sonata (After Reading Dante)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    17. No. 1. Gondoliera (Gondolier's Song)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    18. No. 2. Canzone (Song)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    19. No. 3. Tarantella

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    20. No. 1. Angelus! Priere aux anges gardiens (Angelus. Prayer to the Guardian Angels)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    21. No. 2. Aux cypres de la Villa d'Este I (To the Cypresses of the Villa d'Este I: Threnody)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    22. No. 3. Aux cypres de la Villa d'Este II (To the Cypresses of the Villa d'Este II: Threnody)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    23. No. 4. Les jeux d'eau a la Villa d'Este (The Fountains of the Villa d'Este)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    24. No. 5. Sunt lacrymae rerum (en mode hongrois) (There are Tears for Things (In The Hungarian Mode))

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    25. No. 6. March funebre (Funeral March)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran

    26. No. 7. Sursum corda (Lift up Your Hearts)

      Composer: Franz Liszt

      Performer: Miriam Gomez-Moran


The long journey that has led me to the recording of one of Liszt's longest cycles for piano solo began many years ago, in the early stages of my piano studies. At that time, while casually tuned in to what is now known as "Radio Clasica", I happened to stumble upon one of the Hungarian composer's most important works-the Faust Symphony. Captivated by this music and unaware of the author's identity (not yet having the training necessary to identify him), I not only listened to the entire work but also made a pledge to dedicate my life to this composer, regardless of who it might be. Many of the impulses and interests of our teenage years frequently fade away, but this was not the case with my new-found passion for Liszt, which has steadfastly grown over time, along with my knowledge of his life and works.