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COMPOSERRebecca Clarke, Samuel Coleridge-Taylor, John Ireland, Franz Liszt, Charles Villiers Stanford
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PERFORMERTom Hicks
Liszt, Ireland: Sonatas / Hicks
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- Divine Art
- March 11, 2022
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RELEASE DATEMarch 11, 2022
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UPC809730522727
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CATALOG NUMBERDDA25227
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LABELDivine Art
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NUMBER OF DISCS1
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GENRE
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No. 24 in B Minor
Composer: Charles Villiers Stanford
Performer: Tom Hicks
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No. 5 in D Major
Composer: Charles Villiers Stanford
Performer: Tom Hicks
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Valse Suite, Op. 71, "Three-fours": II. Andante
Composer: Samuel Coleridge-Taylor
Performer: Tom Hicks
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Cortège
Composer: Rebecca Clarke
Performer: Tom Hicks
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I. Allegro moderato
Composer: John Ireland
Performer: Tom Hicks
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II. Non troppo lento
Composer: John Ireland
Performer: Tom Hicks
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III. Con moto moderato
Composer: John Ireland
Performer: Tom Hicks
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Lento assai -
Composer: Franz Liszt
Performer: Tom Hicks
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Andante sostenuto -
Composer: Franz Liszt
Performer: Tom Hicks
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Allegro Energico
Composer: Franz Liszt
Performer: Tom Hicks
Featuring ⌄
Product Details ⌄
Works ⌄
Hailed as an artist of ‘magnificent pianism’, Guernsey-born pianist Tom Hicks has been praised for his ‘gorgeously creative playing’ that ‘transports the listener to another place and time’. Hicks is a gold medallist in numerous national and international competitions and holds degrees and awards from The University of Manchester, The Royal Northern College of Music, Yale University and Northwestern University, where he now lectures. His first disc featuring John Ireland’s Sarnia, ‘Tom Hicks: Ireland and Tchaikovsky’ has been described as ‘brilliantly evocative’ by Colin Clarke in International Piano, and ‘gorgeously creative’ by Scott Noriega in Fanfare. In his first recording for Divine Art, Tom presents stellar performances of two major Sonatas – those of Franz Liszt and John Ireland. A generation apart, both are highpoints of the Romantic and post-Romantic era. This playing puts Hicks at the top of the tree for his bold expressiveness and vision. On this album Hicks prefaces the Sonatas with shorter, but equally imaginative and expressive pieces: two Preludes by Stanford, Cortège by Rebecca Clarke, and one of the charming waltzes from the ‘Three-Fours’ Suite by Samuel Coleridge-Taylor.
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