-
COMPOSERSCHUBERT LISZT
-
PERFORMERAvan Yu
Liszt: Schubert Song Transcriptions / Avan Yu
- Naxos
- April 14, 2015
-
RELEASE DATEApril 14, 2015
-
UPC747313334971
-
CATALOG NUMBER8573349
-
LABELNaxos
-
NUMBER OF DISCS1
-
GENRE
-
No. 1, Gute Nacht (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 2, Die Nebensonnen (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 3, Mut! (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 4, Die Post (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 5, Erstarrung (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 8, Der Leiermann (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 9, Täuschung (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 10, Das Wirtshaus (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 1, Die Stadt (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 2, Das Fischermädchen (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 4, Am Meer (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 5, Abschied (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 6, In der Ferne (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 7, Ständchen (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 9, Frühlingssehnsucht (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 11, Der Atlas (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 13, Die Taubenpost (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
-
No. 14, Kriegers Ahnung (After Schubert)
Composer: Franz Liszt
Performer: Avan Yu
Featuring ⌄
Product Details ⌄
Works ⌄
Liszt’s lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubert’s melodic trajectory with Liszt’s intricate textures.
In Winterreise’s Mut, for example, Yu differentiates the accompaniment’s springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshaus’ arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang I’m especially impressed by how Yu gives shape and meaning to Am Meer’s tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnung’s chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Liszt’s six remaining transcriptions from these cycles had also been included, but one shouldn’t complain in light of Yu’s highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, I’d like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
