A l'ombre d'un ormeau / Lazarevitch, Les Musiciens de Saint-Julien

$8.99
Label
Alpha
Release Date
August 24, 2018
Format
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    Featuring ⌄
    • COMPOSER
      VARIOUS
    • PERFORMER
      Les Musiciens De Saint-Julien, Lazarevitch
    Product Details ⌄
    • RELEASE DATE
      August 24, 2018
    • UPC
      3760014193422
    • CATALOG NUMBER
      ALPHA342
    • LABEL
      Alpha
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Suite de trois branles de village: Bobbing Joe - Excuse me - Red House

      Composer: Charles-Emmanuel Borjon de Scellery, John Playford

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    2. Pourquoy doux rossignol

      Composer: Jean-Baptiste de Bousset, Jacques-Martin Hotteterre, André Henrich

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    3. Le beau berger Tircis

      Composer: Chistophe Ballard, Jacques-Martin Hotteterre

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    4. La Magnotte - La petite Jeanneton - Les 6 visages [16th to 17th Century]

      Composer: Anonymous

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    5. J'avois cru qu'en vous aymant

      Composer: Chistophe Ballard

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    6. La Furstemberg - La Royale

      Composer: Henry Purcell, François Rebel, François Francœur, François Lazarevitch

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    7. L'amour m'a fait un beau present - Je me leve par un matin - Malbrough - La Mississipy

      Composer: Nicolas Chédeville, Antoine Geoffroy-Dechaume, François Lazarevitch

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    8. Que mon martire me seroit doux - Ou etes-vous alles mes belles amourettes - Ah! que ces bois, ces ruisseaux, ces fontaines

      Composer: Chistophe Ballard

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    9. Rondement - Gaiment - Légèrement

      Composer: Joseph Bodin de Boismortier

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    10. Doucement - Mouvement de chaconne

      Composer: Joseph Bodin de Boismortier

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    11. Heureux qui peut plaire - La jeune Iris

      Composer: Jean-Baptiste Lully, Jacques-Martin Hotteterre

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    12. La Caroline - Le Sabotier

      Composer: Jean-Baptiste Lully, Louis Lully, Marin Marais, Nicolas Chédeville

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    13. Dans nos bois - L'amant le plus fidele

      Composer: Jean-Philippe Rameau, Michel Blavet, Jacques-Martin Hotteterre

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    14. J'ai du bon tabac - Menuet d'Isis - Menuet d'Alcide - Menuet a 4

      Composer: Anonymous, Jean-Baptiste Lully, Louis Lully, Marin Marais

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    15. Musette des Fetes d'Hebe - A l'ombre d'un ormeau

      Composer: Jean-Jacques Rippert

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch

    16. La Provencalle - Tambourin des Fetes de Polymnie - La Ramoneuse

      Composer: Anonymous, Jean-Philippe Rameau

      Ensemble: Les Musiciens de Saint-Julien

      Conductor: François Lazarevitch


This recording reflects musical life in France in the eighteenth century. Leaving aside the prestigious repertoire of vocal and instrumental works, however, Les Musiciens de Saint-Julien share with us music that played an important part, first of all, in the daily lives and musical practices of the aristocracy, before gaining much wider appeal among the Parisian middle and lower classes, so that in the end it was popular at every level of society. Everyone in eighteenth-century Paris was familiar with and fond of the songs known as brunettes and petits airs tendres. Minuets, too, their tunes borrowed from well-known operas and their words sometimes changed, and contredanses (country dances), imported from the ballrooms of England, permeated society, appealing to the lowly and to the titled alike. These pieces were not intended for passive listening, but to be played, sung, danced, and experienced on a daily basis, whenever the opportunity arose. Being appreciated throughout the various social strata, they acted, so to speak, as a common denominator- a taste and a sensitivity that were shared by all, in the French capital and beyond.