Cyrille Dubois is unstoppable: after two albums dedicated to Liszt and the Boulanger sisters, both acclaimed by the critics, and a flamboyant complete set of Faur� songs, the tenor is back to his preferred repertoire, the French art-song. He reunites with his accomplice, pianist Tristan Ra�s, to bring the Bordeaux composer Louis Beydts (1895-1953) out of oblivion, as most of his pieces are recorded here for the first time. From these miniatures, Cyrille Dubois draws the sap of the musician's art. A pure product of French hedonism, it is refined and elegant, with a generous vocality but also daring, for Beydts forbids himself nothing. Echoes of jazz and light music, of Hahn or Faur�, polymodality and polytonality, his melodies traverse everything between fantasy, humor and contemplation with supreme freedom. By transporting us into this singular universe, Cyrille Dubois establishes himself as an invaluable performer of the repertoire and a pioneer of French music, with an uncommon mastery of the combination of word and music.