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COMPOSERCHOPIN, FREDERIC
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PERFORMERLouis Lortie
Louis Lortie Plays Chopin, Vol. 5
- Chandos
- October 6, 2017
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RELEASE DATEOctober 06, 2017
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UPC095115194324
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CATALOG NUMBERCHAN 10943
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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Mazurka No. 5 in B-Flat Major, Op. 7, No. 1
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 6 in A Minor, Op. 7, No. 2
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 7 in F Minor, Op. 7, No. 3
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 9 in C Major, Op. 7, No. 5
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 8 in A-Flat Major, Op. 7, No. 4
Composer: Frédéric Chopin
Performer: Louis Lortie
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Polonaise No. 1 in C-Sharp Minor, Op. 26, No. 1
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 22 in G-Sharp Minor, Op. 33, No. 1
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 23 in D Major, Op. 33, No. 2
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 24 in C Major, Op. 33, No. 3
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 25 in B Minor, Op. 33, No. 4
Composer: Frédéric Chopin
Performer: Louis Lortie
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Polonaise No. 2 in E-Flat Minor, Op. 26, No. 2
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 36 in A Minor, Op. 59, No. 1
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 37 in A-Flat Major, Op. 59, No. 2
Composer: Frédéric Chopin
Performer: Louis Lortie
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Mazurka No. 38 in F-Sharp Minor, Op. 59, No. 3
Composer: Frédéric Chopin
Performer: Louis Lortie
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Polonaise No. 5 in F-Sharp Minor, Op. 44
Composer: Frédéric Chopin
Performer: Louis Lortie
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Allegro de concert, Op. 46
Composer: Frédéric Chopin
Performer: Louis Lortie
Featuring ⌄
Product Details ⌄
Works ⌄
Louis Lortie’s Chopin series is achieving landmark status, as confirmed by the increasingly enthusiastic reviews of progressive volumes. This fifth one sumptuously highlights the Polish influences in Chopin’s music, offering gems from among the mazurkas and polonaises. Relatively brief in duration and simple in structure, the mazurkas reveal other aspect of Chopin’s music: quirky melodies, strangely chromatic harmonies, oddly accented rhythms, irregular phrase lengths, and wildly contrasting keyboard textures. They represent a fascinating part of Chopin’s output, for audiences and pianists alike. The vigour of the polonaises featured here, including the first two to be published, confirms Chopin as a radical, yet idiomatic transformer of the genre. The Allegro de concert, which Chopin was said to have kept for his projected return to ‘a free Warsaw’, is another link to his beloved country.
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