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COMPOSERArthur Lourie
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PERFORMERBirgit Ramsl, Raphael Leone, Paolo Beltramini, Candy Grace Ho, Gottlieb Wallisch, Egidius Streiff, B
Lourié: Chamber & Instrumental Music, Vol. 1 - Works with Wind Instruments
- Toccata
- January 6, 2023
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RELEASE DATEJanuary 06, 2023
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UPC5060113446527
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CATALOG NUMBERTOCC0652
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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Sunrise
Composer: Arthur Lourié
Performer: Birgit Ramsl
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I. quarter note = 96
Composer: Arthur Lourié
Performer: Hansjürgen Wäldele, Nicolas Rihs, Egidius Streiff, Agnès Mauri, Mateusz Pawel Kaminski
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II. quarter note = 84
Composer: Arthur Lourié
Performer: Hansjürgen Wäldele, Nicolas Rihs, Egidius Streiff, Agnès Mauri, Mateusz Pawel Kaminski
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Regina Coeli
Composer: Arthur Lourié
Performer: Candy Grace Ho, Hansjürgen Wäldele, Simon Lilly
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I. Allegretto
Composer: Arthur Lourié
Performer: Birgit Ramsl, Egidius Streiff
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II. Adagio
Composer: Arthur Lourié
Performer: Birgit Ramsl, Egidius Streiff
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III. Presto
Composer: Arthur Lourié
Performer: Birgit Ramsl, Egidius Streiff
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I. Le sacrifice du miel
Composer: Arthur Lourié
Performer: Birgit Ramsl
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II. Plainte d'ariane
Composer: Arthur Lourié
Performer: Birgit Ramsl
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III. Labyrinthe
Composer: Arthur Lourié
Performer: Birgit Ramsl
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2 Études sur un sonnet de Mallarmé: No. 1. Phrases
Composer: Arthur Lourié
Performer: Birgit Ramsl, Gottlieb Wallisch
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The Mime
Composer: Arthur Lourié
Performer: Paolo Beltramini
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The Flute of Pan
Composer: Arthur Lourié
Performer: Birgit Ramsl
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Funeral Games in Honor of Chronos
Composer: Arthur Lourié
Performer: Raphael Leone, Birgit Ramsl, Lucie Brotbek Prochaskova, Gottlieb Wallisch, Nicolas Suter
Featuring ⌄
Product Details ⌄
Works ⌄
The turbulent life of Arthur Lourié (1891–1966) – student of Glazunov, friend of Blok, lover of Akhmatova, commissar of the Soviet regime, exile in Germany, France and the USA, ghost-writer for Koussevitzky – is reflected in the wide range of references in his music, from echoes of the ceremonies of ancient Greece to Neo-Baroque and Neo-Classical procedures perhaps inspired by his collaboration with Stravinsky in Paris. Some of the works in this first of two albums surveying his chamber and instrumental music have an almost ritual formality; in others a mischievous grin is not far from the surface.
REVIEWS:
The personnel is spearheaded by flautist Birgit Ramsl and they all play with commendable accomplishment and verve that serve Lourié well. There are also four premiere recordings. However you sum him up, stylistically, his remains a cultured, cultivated and agreeably cosmopolitan voice, drawing on Russian and French traditions to irradiate the ritual formality of his music.
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