Within the context of the wide and multifaceted creative activity of Gian Francesco Malipiero (Venice, 1882 – Treviso, 1973), piano production represents a marginal branch, or at least one that was developed less systematically. However, there are about thirty titles – spread over more than sixty years – in which the most typical forms of Malipiero’s language find perfect expression: from the melancholy restlessness of the first works to the clear expressive intensity of the last ones.