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COMPOSERVladimir Martynov
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ORCHESTRA / ENSEMBLEThe Sirin Vocal Ensemble, Grand Children Choir Named After Viktor Popov
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PERFORMERAcademy Of Early Music Ense
Martynov Edition
- Brilliant Classics
- October 28, 2022
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RELEASE DATEOctober 28, 2022
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UPC5028421963808
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CATALOG NUMBERBRI96380
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LABELBrilliant Classics
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NUMBER OF DISCS7
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GENRE
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Book for Instruments: Prelude for the Star and the Three Knights
Composer: Vladimir Martynov
Ensemble: Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book for Instruments: Prelude for Angels and Shepherds
Composer: Vladimir Martynov
Ensemble: Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book for Instruments: Prelude for Children
Composer: Vladimir Martynov
Ensemble: Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 1
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 2
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 3
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 4
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 5
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 6
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 7
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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Book of Songs No. 8
Composer: Vladimir Martynov
Ensemble: All-Union Radio and Television Grand Children Choir, Moscow Philharmonic Chamber Ensemble
Conductor: Tatiana Grindenko
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No. 1. A-a-a o-o-o eh-eh-eh ee-ee-ee oo-oo-oo
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 2. The meadow's lowing now is sinking
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 3. Your lips are the black grouse's brow
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 4. Wind, is that you?
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 5. In the gorge where the dog rose blooms
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 6. As the future's my witness
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 7. Ever these shades draw me in!
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 8. Like a black wind
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 9. From an old rowboat's transom
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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No. 10. Wind, you hear, this deed is frightful!
Composer: Vladimir Martynov
Ensemble: Dmitri Pokrovsky Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Introitus
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Kyrie
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Offertorium
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Sanctus
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Agnus Dei
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Lux acterna
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Stabat Mater
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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O Quam tristis, Quis est homo
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Pro peccatis, Ela, mater
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Virgo virginum
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble, Opus Posth Ensemble
Performer: Tatiana Grindenko
Conductor: Tatiana Grindenko
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Dance with the Dead Friend
Composer: Vladimir Martynov
Ensemble: New Russia State Symphony Orchestra
Performer: Alexei Lubimov
Conductor: Evgeny Bushkov
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Come In!
Composer: Vladimir Martynov
Ensemble: Opus Posth Ensemble
Performer: Tatiana Grindenko
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No. 1. Prologue I
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 2. Chapter I
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 3. Prologue II
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 4. Chapter II
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 5. Prologue III
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 6. Chapter III
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 7. Prologue IV
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 8. Chapter IV
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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No. 9. Prayer of the Prophet Jeremiah
Composer: Vladimir Martynov
Ensemble: Sirin Vocal Ensemble
Conductor: Andrey Kotov
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Der abschied
Composer: Vladimir Martynov
Ensemble: Opus Posth Ensemble
Conductor: Tatiana Grindenko
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Singapore I
Composer: Vladimir Martynov
Ensemble: Vladimir Chamber Choir, Opus Posth Ensemble, Vladimir Symphony Orchestra
Conductor: Tatiana Grindenko
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Singapore II
Composer: Vladimir Martynov
Ensemble: Vladimir Chamber Choir, Opus Posth Ensemble, Vladimir Symphony Orchestra
Conductor: Tatiana Grindenko
Featuring ⌄
Product Details ⌄
Works ⌄
Born in 1946, Vladimir Martynov is one of several composers from the former USSR whose music taps into a vein of perpetual memory and farewell. Literally so in the case of Der Abschied, an eight-movement cycle for small ensemble which stands on the threshold like a guest at a gathering of friends, unable or unwilling to shut the door behind them and venture out alone. One of Martynov’s most distinguished contemporaries was the Ukrainian composer Valentin Silvestrov, who talked of a ‘genetic aural well’ for Russian music which, like Orthodox prayer, cannot be learnt as a text, but which exists beyond any text. Silvestrov explicitly recognized his own output as ‘meta-music’ or even ‘post-music’, and the same could be said of many pieces in Martynov’s output. Tiny motifs and gestures are layered and expanded across a meditative space in a distinctively Russian form of Minimalism that bears certain similarities with the better-known outputs of Pärt and Schnittke but pursues a consciously more austere path: both the Requiem and Stabat mater are imbued with the timeless qualities of chant and ancient melisma. Martynov’s music began to attract a certain cult following in the West during the 1990s with performances and recordings made principally by the violinist Gidon Kremer and his former partner, Tatiana Grindenko. As both a violinist and conductor, Grindenko has continued to keep Martynov’s flame burning, and she leads most of the performances here, which were made mostly in Moscow over the course of several years and in several cases receive here their first international release.
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