Max Meyer-Olbersleben: Chamber Music

$21.99
Label
Capriccio
Release Date
April 17, 2026
Format
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    Featuring ⌄
    • COMPOSER
      Max Meyer-Olbersleben
    • PERFORMER
      Oliver Triendl, Nina Karmon, Robert Glassl, Benedict Kloeckner
    Product Details ⌄
    • RELEASE DATE
      April 17, 2026
    • UPC
      845221054247
    • CATALOG NUMBER
      C5424
    • LABEL
      Capriccio
    • NUMBER OF DISCS
      1
    • GENRE
      Chamber Music & Recitals
    Works ⌄

    1. I. Gehend

      Composer: Max Meyer-Olbersleben

      Performer: Nina Karmon, Benedict Kloeckner, Oliver Triendl

    2. II. Langsam und mit Ausdruck

      Composer: Max Meyer-Olbersleben

      Performer: Nina Karmon, Benedict Kloeckner, Oliver Triendl

    3. III. Menuett

      Composer: Max Meyer-Olbersleben

      Performer: Nina Karmon, Benedict Kloeckner, Oliver Triendl

    4. IV. Sehr frisch

      Composer: Max Meyer-Olbersleben

      Performer: Nina Karmon, Benedict Kloeckner, Oliver Triendl

    5. I. Vergänglichkeit

      Composer: Max Meyer-Olbersleben

      Performer: Roland Glassl, Benedict Kloeckner, Oliver Triendl

    6. II. Ergebung

      Composer: Max Meyer-Olbersleben

      Performer: Roland Glassl, Benedict Kloeckner, Oliver Triendl

    7. III. Hoffnung

      Composer: Max Meyer-Olbersleben

      Performer: Roland Glassl, Benedict Kloeckner, Oliver Triendl

    8. I. Mit Leidenschaft

      Composer: Max Meyer-Olbersleben

      Performer: Roland Glassl, Oliver Triendl

    9. II. Langsam und sehr gesangvoll

      Composer: Max Meyer-Olbersleben

      Performer: Roland Glassl, Oliver Triendl

    10. III. Munter und straff

      Composer: Max Meyer-Olbersleben

      Performer: Roland Glassl, Oliver Triendl


Max Meyer-Olbersleben, born in 1850 in Olbersleben, Thuringia, studied at the Weimar Orchestral School under Franz Liszt, and later at the Royal Music School in Munich under Gabriel Josef Rheinberger and Peter Cornelius. He settled in W�rzburg as a professor of counterpoint and composition and served as director of the Royal Conservatory of Music until his retirement in 1920. During his lifetime, 114 works were published, primarily smaller forms such as choral works, songs, and piano pieces. Through his studies in Weimar and Munich, Meyer-Olbersleben was familiar with both the traditionalist and the new German musical language of that era, and thus the chamber music gems recorded here for the first time bear witness to profound Romantic sensibility and the spirit of a new musical awakening.