Medtner: Angel - Complete Songs, Vol. 3 / Levental, Peters

$14.99
Label
Brilliant Classics
Release Date
January 21, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Nikolai Medtner
    • PERFORMER
      Ekaterina Levental, Frank Peters
    Product Details ⌄
    • RELEASE DATE
      January 21, 2022
    • UPC
      5028421960623
    • CATALOG NUMBER
      BRI96062
    • LABEL
      Brilliant Classics
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. The Angel, Op. 1bis

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    2. Introduzione: Allegretto espressivo - I. Gesang der Nymphen

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    3. II. Geheimnisse

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    4. III. Zug der Grazien

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    5. IV. Was der Dichter spricht

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    6. No. 1. Okno (The Window)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    7. No. 2. Voron (The Ravens)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    8. No. 3. Elegiya (Elegy)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    9. No. 4. Primeti (Omens)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    10. No. 5. Ispanskiy romans (Spanish Romance)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    11. No. 6. Serenada (Serenade)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    12. No. 7. Uznik (The Captive)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    13. I. Pastorale: Allegretto cantabile

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    14. II. Allegro moderato e cantabile (sempre al rigore di tempo)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    15. Molitva (Prayer)

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    16. Epitafiya (Epitaph), Op. 13, No. 2

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters

    17. Psalm

      Composer: Nikolai Medtner

      Performer: Ekaterina Levental, Frank Peters


Anybody who has entered into the cosmos of Medtner’s music, and especially of his songs, will be aware of its introvert, secretive, sometimes even hermetic character. His mixture of Russian and German philosophy and art, indebted to the bicultural upbringing in his family, was unique. Yet the outstanding quality of his songs does not lie in their stylistic singularity, but in their resistance to cliches of the genre and their musical and psychological insights. Medtner digs deep into his chosen texts. Even his choice of the poet Lermontov for his first published song ('The Angel') is significant for a composer who always professed his belief in the divine nature of art and the artist’s vocation. Testifying to a similar artistic credo, Goethe’s poem ‘Geweihter Platz’ (‘The Sacred Grove’) was first set by Medtner as an introduction to the Sonata-Vocalise Op.41 No.1. He recomposed the song in his Op 46 set but then returned to it once more for this Suite-Vocalise, which opens with a wordless evocation of the lofty mood established by the poet. The finale alludes to Schumann (‘Was der Dichter spricht’) while returning to the rapt opening. The Suite-Vocalise as a whole is one of Medtner’s most experimental works, paying homage to an exemplary reflection about the sacred quality of art and the mysterious secrets of artistic inspiration. The Pushkin songs Op.52, finished in summer 1929, are Medtner’s last authored song collection. The chosen poems focus on longing, unfulfilled love, or love connected to death and murder. His settings once more reach powerful heights of expression, both in his description of despair and torment and in his peculiar way of finding to hope and joy despite of all tragedy.