Paul Hendrich's sound system is a coherent whole in which individual parameters of a musical work (such as harmony or rhythm) are ordered by analogous processes. Each composition expanded the boundaries of the system and created its next layers. The uppermost layer could not exist in this structure without all the lower levels. In this sense, every other piece of Paul Hendrich is a metaform, because it uses the musical language developed in earlier compositions. At first glance, Paul Hendrich's thick scores seem complicated. However, they are composed of simple processes. This simplicity would appear to us if we could look at this work as a multidimensional space, which we can trace each parameter separately. Performed by Ensemble Musikfabrik, this release brilliantly displays the composer's genius.