Rózsa: Sinfonia concertante / Bühl, Staatsphilharmonie Rheinland-Pfalz

$21.99
Label
Capriccio
Release Date
April 4, 2025
Format
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    Featuring ⌄
    • COMPOSER
      Miklos Rozsa
    • CONDUCTOR
      Gregor Bühl
    • ORCHESTRA / ENSEMBLE
      Deutsche Staatsphilharmonie Rheinland-Pfalz
    • PERFORMER
      Harriet Krijgh, Nikita Boriso-Glebsky
    Product Details ⌄
    • RELEASE DATE
      April 04, 2025
    • UPC
      845221055350
    • CATALOG NUMBER
      C5535
    • LABEL
      Capriccio
    • NUMBER OF DISCS
      1
    • GENRE
      Cello
    Works ⌄

    1. I. Allegro non troppo

      Composer: Miklós Rózsa

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Nikita Boriso-Glebsky, Harriet Krijgh

      Conductor: Gregor Bühl

    2. II. Theme and Variations: Andante

      Composer: Miklós Rózsa

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Nikita Boriso-Glebsky, Harriet Krijgh

      Conductor: Gregor Bühl

    3. III. Allegro con brio

      Composer: Miklós Rózsa

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Nikita Boriso-Glebsky, Harriet Krijgh

      Conductor: Gregor Bühl

    4. Notturno ungherese, Op. 28

      Composer: Miklós Rózsa

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Conductor: Gregor Bühl

    5. Cello Rhapsody, Op. 3

      Composer: Miklós Rózsa

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Harriet Krijgh

      Conductor: Gregor Bühl


This release further explores the rarely performed or recorded concert music of Miklos Rozsa (of Ben Hur fame), coupling his Rhapsody for Cello in which the young composer truly found his style, his Notturno Ungherese ("a nostalgic night piece, harking back to the memories of my childhood in Hungary"), and the late Sinfonia concertante for violin and cello, a fiendishly difficult violin-cello double concerto that is among Rozsa's finest, least film-music-like concert works - and one of his most underrated. Gregor Piatigorsky and Jascha Heifetz, who instigated it's composition, never ended up playing it, but Harriet Krijgh and Nikita Boriso-Glebsky certainly do.