Moriarty: Missa Adsum! Celebrating Women & We That Wait / Kuchar, Ukranian Festival

$15.99
Label
Toccata
Release Date
February 15, 2019
Format
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    Featuring ⌄
    • COMPOSER
      MORIARTY, RICHARD
    • ORCHESTRA / ENSEMBLE
      Ukrainian Festival Chorus, Ukrainian Festival Orchestra
    • PERFORMER
      Soloviy, Lisohorska, Tlushch, Kuchar
    Product Details ⌄
    • RELEASE DATE
      February 15, 2019
    • UPC
      5060113445032
    • CATALOG NUMBER
      TOCC0503
    • LABEL
      Toccata
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. No. 1. He Went as Soldiers

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    2. No. 2. Beat! Beat! Drums!

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    3. No. 3. We Have Parted

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    4. No. 4. They Dropped like Flakes

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    5. No. 5. After Great Pain

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    6. No. 6. Somebody's Darling

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    7. No. 7. Prayer for Peace

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Orchestra

      Performer: Sofia Soloviy

      Conductor: Theodore Kuchar

    8. Kyrie Eleison (Soprano, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska

      Conductor: Theodore Kuchar

    9. Gloria (Soprano, Baritone, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska, Vladislav Tlushch

      Conductor: Theodore Kuchar

    10. Credo (Soprano, Baritone, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska, Vladislav Tlushch

      Conductor: Theodore Kuchar

    11. Adsum (Soprano, Baritone, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska, Vladislav Tlushch

      Conductor: Theodore Kuchar

    12. Magnificat (Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Conductor: Theodore Kuchar

    13. Sanctus (Soprano, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska

      Conductor: Theodore Kuchar

    14. Consecration (Soprano, Baritone, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska, Vladislav Tlushch

      Conductor: Theodore Kuchar

    15. Agnus Dei (Soprano, Baritone, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska, Vladislav Tlushch

      Conductor: Theodore Kuchar

    16. Ite, missa est (Soprano, Baritone, Chorus)

      Composer: Richard Moriarty

      Ensemble: Ukrainian Festival Choir, Ukrainian Festival Orchestra

      Performer: Antonina Lisohorska, Vladislav Tlushch

      Conductor: Theodore Kuchar


The American composer Richard Moriarty (born in Boston in 1946) spent his professional life as a pathologist, taking up composition upon his retirement as a student of Adolphus Hailstork and Richard Danielpour. His deeply felt orchestral song-cycle We That Wait, using poems from the American Civil War written by women, and the expansive, exuberant Missa Adsum! Celebrating Women, are both grand statements in a proud American tradition of Neo-Romanticism, accessible, direct and sincere. Of the premiere performance, one reviewer wrote: “Adsum-Celebrating Women was a tour de force, whose title comes from the Roman rite of ordination when candidates are called by name and answer “Adsum- Present!” It was sung with passion and beauty…” (M.D. Ridge)