It is not often that a young vocal artist releases a debut album that is so "complete" or so convincingly conceived and finished to such a high polish as is the ase with Anett Fritsch. What makes it all the more astounding is that she achieves this by singing arias from the Mozart/Da Ponte trilogy of Figaro / Don Giovanni / Cosi, masterworks by a composer regarded and feared in equal measure for the complexity of his writing. Yet the repertoire focus she has chosen is entirely in keeping with the soprano's career to date. She began in her teens and has progressed in recent years through a series of acclaimed performances on international opera stages.

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REVIEW:

Anne Fritsch's Mozart is a sheer delight. This is no bland essay of the usual suspects painted in anonymous colors but a vivid portrait gallery of characters that Fritsch has portrayed on stage. From the very first bars of the Overture to Marriage of Figaro the playing of the Munich Radio Orchestra instantly makes yous it up and listen. A jewel of a disc.

– Gramophone