Mozart: Fugues, Rondos & Fantasias

$13.99
Label
Naxos
Release Date
December 9, 2014
Format
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    Featuring ⌄
    • COMPOSER
      MOZART, WOLFGANG AMADEUS
    • PERFORMER
      Sang Woo Kang
    Product Details ⌄
    • RELEASE DATE
      December 09, 2014
    • UPC
      747313311477
    • CATALOG NUMBER
      8573114
    • LABEL
      Naxos
    • NUMBER OF DISCS
      1
    • GENRE
      Instrumental
    Works ⌄

    1. Fragment of a Fugue in G Minor, K. 401

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    2. Fragment of a Fugue in E-Flat Major, K. 153

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    3. Prelude and Fugue in C Major, K. 394

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    4. Fragment of a Fugue in G Minor, K. 154

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    5. Funeral March in C Minor, K. 453a "Marche funebre del Sig. Maestro Contrapunto"

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    6. Rondo in D Major, K. 485

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    7. Rondo in A Minor, K. 511

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    8. Gigue in G Major, K. 574 "Leipziger Gigue"

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    9. I. Overture

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    10. II. Allemande

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    11. III. Courante

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    12. IV. Fragment of a Sarabande

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    13. Fragment of Fantasia in C Minor, K. 396

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    14. Fragment of a Fugue in D Major, K. 73w

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    15. Fragment of a Fugue in G Major, K. Anh. 41

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    16. Fragment of a Fugue in F Major, K. 375h

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    17. Fragment of a Fugue in F Major, K. Anh. 33

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    18. Fragment of a Fugue in C Minor, K. Anh. 39

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    19. Fugue in D Major

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    20. Fugue in G Major

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    21. No. 1

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    22. No. 2

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    23. No. 3

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    24. No. 4

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    25. No. 5

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    26. No. 6

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    27. No. 1

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    28. No. 2

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    29. Fragment of a Fugue in D Minor, K. deest

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    30. Fragment of a Fugue in C Minor, K. Anh. 39a

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang

    31. Fragment of Fantasia in F Minor, K. Anh. 32

      Composer: Wolfgang Amadeus Mozart

      Performer: Sang Woo Kang


Mozart married Constanze Weber in 1782, and it is thanks to her diligent curation of ‘these marvellousrelics’ that we have these rarely heard fragments including fugues which reveal the influence of Bach anddemonstrate Mozart’s agility with sophisticated contrapuntal techniques. The more substantial Rondoshave gained popularity with their memorable themes and musical depth, while forays into Baroque stylecan be heard in the unfinished Suite. These, the improvisational Fantasias and a mocking parody of aFuneral March all highlight neglected facets of Mozart’s oeuvre.