Dacapo Classical
Mozart: Lucio Silla / Fischer, Odinius, Nold, Danish Radio Sinfonietta
$35.99
Details
- Composer
- MOZART, W.A.
- Artist
- Fischer, Elmark, Ars Nova, Nold, Odinius
- Format
- CD
- Label
- Dacapo Classical
- Released
- Jun 24, 2008
- Catalog #
- 8226069-71
- UPC
- 636943606926
About
Booklet includes libretto in English.
I truly can't imagine why anyone would want to own more than one good recording of this opera, and so if you have none, this one will make you very happy. If you have the Harnoncourt, you'll need this to get a real sense of what the opera is about, and if you have the Hager, scene by scene you should be pleased. But Fischer almost turns this work into true drama, and his singers are marvelous. The sound throughout is bright and forward; the booklet contains interesting essays and a four-language libretto.
The approximately three-hour-long (depending on cuts, pacing, etc.) Lucio Silla was composed by Mozart for Milan in 1772, as the lad was nearing his 16th birthday. A true opera seria, with dozens of da capo arias and a plot that ties itself in knots until the eponymous hero, the despotic Silla (138-78 B.C.), suddenly decides to stop being a tyrant, has a change of heart and becomes the very model of the Enlightenment, it offers the listener no context for soul-searching, almost no action, and no character growth. However, like the best opera serie, we get many splendid frozen-in-time moments in which individual characters can stop, face us, and articulate in music and text an array of human emotion: warmth, hopelessness, fury, elation, fear, tenacity. And for the most part, they do so with great bravura.
The opera was a great success in Milan, running 20 performances. The plot tells of Silla (tenor) who lusts after Giunia (soprano), whose husband Cecilio (mezzo) he has banished and declared dead. Cecilio, back in Rome but hiding, eventually tries to kill Silla but is stopped and sentenced to death. Then, for no reason made clear to anyone, Silla denounces his own dictatorship and offers clemency to all, including Cecilio's friend Cinna (soprano) and his own sister, Celia (soprano), who loves and is loved by Cinna. A character named Aufidio (tenor), shows up occasionally; he is Silla's bloodthirsty friend, always interested in stirring up trouble.
There are several performances of this opera available, and this new one turns out to be the best all around despite some remarkable individual performances elsewhere. The cast here is made up of not-very-well-known Scandinavians, and they are all worthy. Great credit must go to conductor Adam Fischer, who leads the superb period-instrument Danish Radio Sinfonietta in a performance that unites youthful refinement with fiery delivery, textural and textual lucidity, and just the right mood and tempo for each character's situation. He rightly turns each aria into an event while having trimmed the recitative to a minimum; compared with Leopold Hager's reading on Philips, with every note and word intact, we get a performance that is 32 minutes shorter and light years more exciting. (Harnoncourt on Teldec cuts the role of Aufidio entirely as well as a couple of important arias, and his tempos and dynamics define manic depression.)
The emotional centerpiece of the opera, if there is one, is Giunia, a high coloratura who has four lengthy arias to sing, requiring great virtuosity as well as a sense of longing and moral outrage. Her opening aria changes mood effectively as it progresses, and a scene near the first act's close in which she and the chorus weep for her father (who was killed by Silla) is truly moving. Simone Nold does a fine job with her bright tone and impeccable diction; she's well up to the challenge made by Arleen Auger (Hager) and Edita Gruberova (Harnoncourt).
Lothar Odinius is the best Silla on disc. The under-composed role (only two arias instead of four due to a last-minute cast change in Milan a week before the premiere) can be effective, and Odinius not only has the notes and coloratura, but he's capable of sounding truly nasty and sings Peter Schreier (on both other recordings cited) under the table. Cecilio is represented with Harnoncourt by Cecilia Bartoli and with Hager by Julia Varady; the latter has great authority but struggles with pitch while the former is at her most expressive, noble, varied, and outraged. Kristina Hammarström cannot match Bartoli but she is nonetheless excellent, the tone perhaps not quite dark enough at times but the intelligence and accuracy outstanding. Henriette Bonde-Hansen sings with dignity as Cinna; Susanne Elmark's Celia is sincere, loving, and shallow, much like Dawn Upshaw's for Harnoncourt. Jacob Naeslund Masden's Aufidio has a nice snarl to it.
I truly can't imagine why anyone would want to own more than one good recording of this opera, and so if you have none, this one will make you very happy. If you have the Harnoncourt, you'll need this to get a real sense of what the opera is about, and if you have the Hager, scene by scene you should be pleased. But Fischer almost turns this work into true drama, and his singers are marvelous. The sound throughout is bright and forward; the booklet contains interesting essays and a four-language libretto.
--Robert Levine, ClassicsToday.com
I truly can't imagine why anyone would want to own more than one good recording of this opera, and so if you have none, this one will make you very happy. If you have the Harnoncourt, you'll need this to get a real sense of what the opera is about, and if you have the Hager, scene by scene you should be pleased. But Fischer almost turns this work into true drama, and his singers are marvelous. The sound throughout is bright and forward; the booklet contains interesting essays and a four-language libretto.
The approximately three-hour-long (depending on cuts, pacing, etc.) Lucio Silla was composed by Mozart for Milan in 1772, as the lad was nearing his 16th birthday. A true opera seria, with dozens of da capo arias and a plot that ties itself in knots until the eponymous hero, the despotic Silla (138-78 B.C.), suddenly decides to stop being a tyrant, has a change of heart and becomes the very model of the Enlightenment, it offers the listener no context for soul-searching, almost no action, and no character growth. However, like the best opera serie, we get many splendid frozen-in-time moments in which individual characters can stop, face us, and articulate in music and text an array of human emotion: warmth, hopelessness, fury, elation, fear, tenacity. And for the most part, they do so with great bravura.
The opera was a great success in Milan, running 20 performances. The plot tells of Silla (tenor) who lusts after Giunia (soprano), whose husband Cecilio (mezzo) he has banished and declared dead. Cecilio, back in Rome but hiding, eventually tries to kill Silla but is stopped and sentenced to death. Then, for no reason made clear to anyone, Silla denounces his own dictatorship and offers clemency to all, including Cecilio's friend Cinna (soprano) and his own sister, Celia (soprano), who loves and is loved by Cinna. A character named Aufidio (tenor), shows up occasionally; he is Silla's bloodthirsty friend, always interested in stirring up trouble.
There are several performances of this opera available, and this new one turns out to be the best all around despite some remarkable individual performances elsewhere. The cast here is made up of not-very-well-known Scandinavians, and they are all worthy. Great credit must go to conductor Adam Fischer, who leads the superb period-instrument Danish Radio Sinfonietta in a performance that unites youthful refinement with fiery delivery, textural and textual lucidity, and just the right mood and tempo for each character's situation. He rightly turns each aria into an event while having trimmed the recitative to a minimum; compared with Leopold Hager's reading on Philips, with every note and word intact, we get a performance that is 32 minutes shorter and light years more exciting. (Harnoncourt on Teldec cuts the role of Aufidio entirely as well as a couple of important arias, and his tempos and dynamics define manic depression.)
The emotional centerpiece of the opera, if there is one, is Giunia, a high coloratura who has four lengthy arias to sing, requiring great virtuosity as well as a sense of longing and moral outrage. Her opening aria changes mood effectively as it progresses, and a scene near the first act's close in which she and the chorus weep for her father (who was killed by Silla) is truly moving. Simone Nold does a fine job with her bright tone and impeccable diction; she's well up to the challenge made by Arleen Auger (Hager) and Edita Gruberova (Harnoncourt).
Lothar Odinius is the best Silla on disc. The under-composed role (only two arias instead of four due to a last-minute cast change in Milan a week before the premiere) can be effective, and Odinius not only has the notes and coloratura, but he's capable of sounding truly nasty and sings Peter Schreier (on both other recordings cited) under the table. Cecilio is represented with Harnoncourt by Cecilia Bartoli and with Hager by Julia Varady; the latter has great authority but struggles with pitch while the former is at her most expressive, noble, varied, and outraged. Kristina Hammarström cannot match Bartoli but she is nonetheless excellent, the tone perhaps not quite dark enough at times but the intelligence and accuracy outstanding. Henriette Bonde-Hansen sings with dignity as Cinna; Susanne Elmark's Celia is sincere, loving, and shallow, much like Dawn Upshaw's for Harnoncourt. Jacob Naeslund Masden's Aufidio has a nice snarl to it.
I truly can't imagine why anyone would want to own more than one good recording of this opera, and so if you have none, this one will make you very happy. If you have the Harnoncourt, you'll need this to get a real sense of what the opera is about, and if you have the Hager, scene by scene you should be pleased. But Fischer almost turns this work into true drama, and his singers are marvelous. The sound throughout is bright and forward; the booklet contains interesting essays and a four-language libretto.
--Robert Levine, ClassicsToday.com
Tracklist 51 tracks
- Disc 1
-
1 Sinfonia: Molto allegro - Andante - Molto allegro 07:02
- Track
- 1
- Title
- Sinfonia: Molto allegro - Andante - Molto allegro
- Duration
- 07:02
- Composer
- Wolfgang Amadeus Mozart
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
2 Act I Scene 1: Recitative: Ah ciel, l'amico Cinna qui attendo invan (Cecilio, Cinna) 02:04
- Track
- 2
- Title
- Act I Scene 1: Recitative: Ah ciel, l'amico Cinna qui attendo invan (Cecilio, Cinna)
- Duration
- 02:04
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström, Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
3 Act I Scene 1: Aria: Vieni ov'amor t'invita (Cinna) 07:21
- Track
- 3
- Title
- Act I Scene 1: Aria: Vieni ov'amor t'invita (Cinna)
- Duration
- 07:21
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
4 Act I Scene 2: Accompanied Recitative: Dunque sperar poss'io di pascer gli occhi miei (Cecilio) 02:15
- Track
- 4
- Title
- Act I Scene 2: Accompanied Recitative: Dunque sperar poss'io di pascer gli occhi miei (Cecilio)
- Duration
- 02:15
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
5 Act I Scene 2: Aria: Il tenero momento premio di tanto amore (Cecilio) 07:43
- Track
- 5
- Title
- Act I Scene 2: Aria: Il tenero momento premio di tanto amore (Cecilio)
- Duration
- 07:43
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
6 Act I Scene 3: Recitative: A te dell'amor mio, del mio riposo (Silla, Celia) 01:11
- Track
- 6
- Title
- Act I Scene 3: Recitative: A te dell'amor mio, del mio riposo (Silla, Celia)
- Duration
- 01:11
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
7 Act I Scene 3: Aria: Se lusinghiera speme pascer non sa gli amanti (Celia) 05:26
- Track
- 7
- Title
- Act I Scene 3: Aria: Se lusinghiera speme pascer non sa gli amanti (Celia)
- Duration
- 05:26
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
8 Act I Scene 4: Recitative: Signor, duolmi vederti ai rifiuti, agl'insulti Esposto ancor (Aufidio, Silla) 00:34
- Track
- 8
- Title
- Act I Scene 4: Recitative: Signor, duolmi vederti ai rifiuti, agl'insulti Esposto ancor (Aufidio, Silla)
- Duration
- 00:34
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Jakob Naeslund Madsen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
9 Act I Scene 5: Recitative: Sempre dovro vederti lagrimosa e dolente? (Silla, Giunia) 01:43
- Track
- 9
- Title
- Act I Scene 5: Recitative: Sempre dovro vederti lagrimosa e dolente? (Silla, Giunia)
- Duration
- 01:43
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
10 Act I Scene 5: Aria: Dalla sponda tenebrosa vieni o padre, o sposo amato (Giunia) 06:35
- Track
- 10
- Title
- Act I Scene 5: Aria: Dalla sponda tenebrosa vieni o padre, o sposo amato (Giunia)
- Duration
- 06:35
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
11 Act I Scene 6: Recitative: E tollerare io posso si temerari oltraggi? (Silla) 01:31
- Track
- 11
- Title
- Act I Scene 6: Recitative: E tollerare io posso si temerari oltraggi? (Silla)
- Duration
- 01:31
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
12 Act I Scene 6: Aria: Il desio di vendetta, e di morte (Silla) 05:01
- Track
- 12
- Title
- Act I Scene 6: Aria: Il desio di vendetta, e di morte (Silla)
- Duration
- 05:01
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
13 Act I Scene 7: Accompanied Recitative: Morte, morte fatal della tua mano (Cecilio) 04:43
- Track
- 13
- Title
- Act I Scene 7: Accompanied Recitative: Morte, morte fatal della tua mano (Cecilio)
- Duration
- 04:43
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
14 Act I Scene 8: Arioso: Fuor di queste urne dolenti (Chorus, Giunia) 06:26
- Track
- 14
- Title
- Act I Scene 8: Arioso: Fuor di queste urne dolenti (Chorus, Giunia)
- Duration
- 06:26
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Ars Nova, Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
15 Act I Scene 8: Accompanied Recitative: Se l'empio Silla, o padre (Giunia, Cecilio) - Scene 9: Stelle! Io tremo! … (Giunia) 02:09
- Track
- 15
- Title
- Act I Scene 8: Accompanied Recitative: Se l'empio Silla, o padre (Giunia, Cecilio) - Scene 9: Stelle! Io tremo! … (Giunia)
- Duration
- 02:09
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold, Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
16 Act I Scene 9: Duet: D'Eliso in sen m'attendi ombra dell'idol mio (Giunia, Cecilio) 06:27
- Track
- 16
- Title
- Act I Scene 9: Duet: D'Eliso in sen m'attendi ombra dell'idol mio (Giunia, Cecilio)
- Duration
- 06:27
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold, Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
- Disc 2
-
1 Act II Scene 1: Recitative: Tel' predissi, o Signor, che la superba (Aufidio, Silla) 01:09
- Track
- 1
- Title
- Act II Scene 1: Recitative: Tel' predissi, o Signor, che la superba (Aufidio, Silla)
- Duration
- 01:09
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
2 Act II Scene 1: Aria: Guerrier, che d'un acciaro (Aufidio) 05:29
- Track
- 2
- Title
- Act II Scene 1: Aria: Guerrier, che d'un acciaro (Aufidio)
- Duration
- 05:29
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Jakob Naeslund Madsen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
3 Act II Scene 2: Recitative: Ah non mai non credea (Silla, Celia) 00:56
- Track
- 3
- Title
- Act II Scene 2: Recitative: Ah non mai non credea (Silla, Celia)
- Duration
- 00:56
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
4 Act II Scene 3: Recitative: Qual furor ti transporta? (Cinna, Cecilio) 02:37
- Track
- 4
- Title
- Act II Scene 3: Recitative: Qual furor ti transporta? (Cinna, Cecilio)
- Duration
- 02:37
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström, Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
5 Act II Scene 3: Aria: Quest' improvviso tremito, che in sen di più s'avanza (Cecilio) 02:55
- Track
- 5
- Title
- Act II Scene 3: Aria: Quest' improvviso tremito, che in sen di più s'avanza (Cecilio)
- Duration
- 02:55
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
6 Act II Scene 4: Recitative: Ah, si, s'affretti il colpo (Cinna, Celia) 01:04
- Track
- 6
- Title
- Act II Scene 4: Recitative: Ah, si, s'affretti il colpo (Cinna, Celia)
- Duration
- 01:04
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Henriette Bonde-Hansen, Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
7 Act II Scene 4: Aria: Se il labbro timido scoprir non osa (Celia) 04:00
- Track
- 7
- Title
- Act II Scene 4: Aria: Se il labbro timido scoprir non osa (Celia)
- Duration
- 04:00
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
8 Act II Scene 5: Recitative: Giunia s'appressa. Ah ch'ella puo soltanto (Cinna, Giunia) 02:30
- Track
- 8
- Title
- Act II Scene 5: Recitative: Giunia s'appressa. Ah ch'ella puo soltanto (Cinna, Giunia)
- Duration
- 02:30
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Henriette Bonde-Hansen, Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
9 Act II Scene 5: Aria: Ah se il crudel periglio (Giunia) 07:53
- Track
- 9
- Title
- Act II Scene 5: Aria: Ah se il crudel periglio (Giunia)
- Duration
- 07:53
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
10 Act II Scene 6: Accompanied Recitative: Ah si, scuotasi omai (Cinna) 00:42
- Track
- 10
- Title
- Act II Scene 6: Accompanied Recitative: Ah si, scuotasi omai (Cinna)
- Duration
- 00:42
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
11 Act II Scene 6: Aria: Nel fortunato istante, che' ei gia co' voti affretta (Cinna) 04:32
- Track
- 11
- Title
- Act II Scene 6: Aria: Nel fortunato istante, che' ei gia co' voti affretta (Cinna)
- Duration
- 04:32
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
12 Act II Scene 7: Recitative: Signor, ai cenni tuoi il Senato fia pronto (Aufidio, Silla) 00:54
- Track
- 12
- Title
- Act II Scene 7: Recitative: Signor, ai cenni tuoi il Senato fia pronto (Aufidio, Silla)
- Duration
- 00:54
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Jakob Naeslund Madsen, Lothar Odinius
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
13 Act II Scene 8: Recitative: Silla? L'odioso aspetto destami orror. Si fugga (Giunia, Silla) 00:36
- Track
- 13
- Title
- Act II Scene 8: Recitative: Silla? L'odioso aspetto destami orror. Si fugga (Giunia, Silla)
- Duration
- 00:36
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold, Lothar Odinius
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
14 Act II Scene 8: Aria: D'ogni pieta mi spoglio perfida donna audace (Silla) 02:19
- Track
- 14
- Title
- Act II Scene 8: Aria: D'ogni pieta mi spoglio perfida donna audace (Silla)
- Duration
- 02:19
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
15 Act II Scene 9: Recitative: Che intesi, eterni Dei? (Giunia, Cecilio) - Accompanied Recitative: Chi sa, che non sia questa (Cecilio, Giunia) 02:48
- Track
- 15
- Title
- Act II Scene 9: Recitative: Che intesi, eterni Dei? (Giunia, Cecilio) - Accompanied Recitative: Chi sa, che non sia questa (Cecilio, Giunia)
- Duration
- 02:48
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold, Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
16 Act II Scene 9: Aria: Ah se morir mi chiama (Cecilio) 06:45
- Track
- 16
- Title
- Act II Scene 9: Aria: Ah se morir mi chiama (Cecilio)
- Duration
- 06:45
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
17 Act II Scene 10: Recitative: Oh Ciel? Si lagrimosa si dolente io t'incontro? (Celia, Giunia) 01:07
- Track
- 17
- Title
- Act II Scene 10: Recitative: Oh Ciel? Si lagrimosa si dolente io t'incontro? (Celia, Giunia)
- Duration
- 01:07
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Susanne Elmark, Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
18 Act II Scene 10: Aria: Quando sugl' arsi campi (Celia) 06:33
- Track
- 18
- Title
- Act II Scene 10: Aria: Quando sugl' arsi campi (Celia)
- Duration
- 06:33
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
19 Act II Scene 11: Accompanied Recitative: In un istante oh come (Giunia) 03:01
- Track
- 19
- Title
- Act II Scene 11: Accompanied Recitative: In un istante oh come (Giunia)
- Duration
- 03:01
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
20 Act II Scene 11: Aria: Parto, m'affretto. Ma nel partire il cor si spezza (Giunia) 04:23
- Track
- 20
- Title
- Act II Scene 11: Aria: Parto, m'affretto. Ma nel partire il cor si spezza (Giunia)
- Duration
- 04:23
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
21 Act II Scene 12: Se gloria il crin ti cinse (Chorus) 02:13
- Track
- 21
- Title
- Act II Scene 12: Se gloria il crin ti cinse (Chorus)
- Duration
- 02:13
- Composer
- Wolfgang Amadeus Mozart
- Ensemble
- Ars Nova, Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
22 Act II Scene 12: Recitative: Padri Coscritti non ignorate l'antico odio funesto (Silla, Giunia, Aufidio) 01:10
- Track
- 22
- Title
- Act II Scene 12: Recitative: Padri Coscritti non ignorate l'antico odio funesto (Silla, Giunia, Aufidio)
- Duration
- 01:10
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Simone Nold, Jakob Naeslund Madsen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
23 Act II Scene 13: Recitative: Sposa ah no, non temer (Cecilio, Silla, Giunia, Aufidio) 01:00
- Track
- 23
- Title
- Act II Scene 13: Recitative: Sposa ah no, non temer (Cecilio, Silla, Giunia, Aufidio)
- Duration
- 01:00
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström, Lothar Odinius, Simone Nold, Jakob Naeslund Madsen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
24 Act II Scene 14: Trio: Quell'orgoglioso sdegno oggi umiliar sapro (Silla, Cecilio, Giunia) 03:56
- Track
- 24
- Title
- Act II Scene 14: Trio: Quell'orgoglioso sdegno oggi umiliar sapro (Silla, Cecilio, Giunia)
- Duration
- 03:56
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Kristina Hammarström, Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
- Disc 3
-
1 Act III Scene 1: Recitative: Ah si tu solo, amico (Cinna, Cecilio, Celia) 01:25
- Track
- 1
- Title
- Act III Scene 1: Recitative: Ah si tu solo, amico (Cinna, Cecilio, Celia)
- Duration
- 01:25
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström, Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
2 Act III Scene 1: Aria: Strider sento la procella (Celia) 03:53
- Track
- 2
- Title
- Act III Scene 1: Aria: Strider sento la procella (Celia)
- Duration
- 03:53
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Susanne Elmark
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
3 Act III Scene 2: Recitative: Forse tu credi, amico che Celia giunga a raddolcir un core (Cecilio, Cinna) 00:57
- Track
- 3
- Title
- Act III Scene 2: Recitative: Forse tu credi, amico che Celia giunga a raddolcir un core (Cecilio, Cinna)
- Duration
- 00:57
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström, Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
4 Act III Scene 2: Aria: De' più superbi il core (Cinna) 06:24
- Track
- 4
- Title
- Act III Scene 2: Aria: De' più superbi il core (Cinna)
- Duration
- 06:24
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Henriette Bonde-Hansen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
5 Act III Scene 3: Recitative: Ah no, che'l fato estremo (Cecilio, Giunia) 04:09
- Track
- 5
- Title
- Act III Scene 3: Recitative: Ah no, che'l fato estremo (Cecilio, Giunia)
- Duration
- 04:09
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström, Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
6 Act III Scene 4: Recitative: Tosto seguir tu dei, Cecilio, i passi miei (Aufidio, Giunia, Cecilio) 00:43
- Track
- 6
- Title
- Act III Scene 4: Recitative: Tosto seguir tu dei, Cecilio, i passi miei (Aufidio, Giunia, Cecilio)
- Duration
- 00:43
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Jakob Naeslund Madsen, Simone Nold, Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
7 Act III Scene 4: Aria: Pupille amata non lagrimate (Cecilio) 04:32
- Track
- 7
- Title
- Act III Scene 4: Aria: Pupille amata non lagrimate (Cecilio)
- Duration
- 04:32
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Kristina Hammarström
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
8 Act III Scene 5: Accompanied Recitative: Sposo … mia vita … Ah dove, dove vai? (Giunia) 03:12
- Track
- 8
- Title
- Act III Scene 5: Accompanied Recitative: Sposo … mia vita … Ah dove, dove vai? (Giunia)
- Duration
- 03:12
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
9 Act III Scene 5: Aria: Fra i pensier più funesti di morte (Giunia) 02:59
- Track
- 9
- Title
- Act III Scene 5: Aria: Fra i pensier più funesti di morte (Giunia)
- Duration
- 02:59
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
10 Act III Scene 8: Recitative: Roma, il Senato e 'l popolo m'ascolti (Silla, Giunia, Cecilio, Aufidio, Celia, Cinna) 02:35
- Track
- 10
- Title
- Act III Scene 8: Recitative: Roma, il Senato e 'l popolo m'ascolti (Silla, Giunia, Cecilio, Aufidio, Celia, Cinna)
- Duration
- 02:35
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Lothar Odinius, Simone Nold, Kristina Hammarström, Jakob Naeslund Madsen
- Ensemble
- Danish Radio Sinfonietta
- Conductor
- Adam Fischer
-
11 Act III Scene 8: Finale: Il gran Silla a Roma in seno (Chorus, Giunia, Cecilio, Cinna, Silla) 03:07
- Track
- 11
- Title
- Act III Scene 8: Finale: Il gran Silla a Roma in seno (Chorus, Giunia, Cecilio, Cinna, Silla)
- Duration
- 03:07
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Simone Nold, Kristina Hammarström, Lothar Odinius
- Ensemble
- Ars Nova, Danish Radio Sinfonietta
- Conductor
- Adam Fischer