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COMPOSERWolfgang Amadeus Mozart
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PERFORMERGolda Schultz, Antonello Manacorda, Kammerakademie Potsdam
Mozart, You Drive Me Crazy! / Schultz, Manacorda, Potsdam Chamber Academy
- Alpha
- April 26, 2024
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RELEASE DATEApril 26, 2024
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UPC3701624510261
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CATALOG NUMBERALPHA1026
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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Act I : Quartet: Non ti fidar, o misera
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz, Amitai Pati, Simone Easthope
Conductor: Antonello Manacorda
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Act I: Recitative: Don Ottavio, son morta!
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz, Amitai Pati, Simone Easthope
Conductor: Antonello Manacorda
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Act I: Aria: Or sai chi l'onore
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act IV: Recitative: Giunse al fin il momento …
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act IV: Aria: Deh vieni non tardar
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act I: Recitative: Temerari! Sortite fuori di questo loco!
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act I: Come scoglio immoto resta
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act II: Fra gli amplessi in pochi istanti
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz, Amitai Pati
Conductor: Antonello Manacorda
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Act II: Recitative: In quali eccessi
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz, Amitai Pati, Simone Easthope
Conductor: Antonello Manacorda
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Act II: Aria: Mi tradi quell'alma ingrata
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz, Amitai Pati, Simone Easthope
Conductor: Antonello Manacorda
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Le nozze di Figaro (The Marriage of Figaro), K. 492, Act III: Duettino: Canzonetta sull aria
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Così fan tutte, K. 588, Act I: Sestet: Alla bella Despinetta
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Julie Thyana Roset, Amitai Pati, Ashley Dixon, Milan Siljanov, Samuel Dale Johnson, Golda Schultz
Conductor: Antonello Manacorda
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Act III: Recitative and Aria: E Susanna non vien!
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act III: Aria: Dove sono i bei momenti?
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act II: Recitative: Ei parte … senti … ah no
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Act II: Rondo: Per pietà, ben mio
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz
Conductor: Antonello Manacorda
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Le nozze di Figaro (The Marriage of Figaro), K. 492, Act IV: Gente! gente!, all'armi, all'armi
Composer: Wolfgang Amadeus Mozart
Ensemble: Kammerakademie Potsdam
Performer: Golda Schultz, Julie Thyana Roset, Amitai Pati, Ashley Dixon Santelli, Milan Siljanov, Simone Easthope, Paweł Horodyski, Samuel Dale Johnson
Conductor: Antonello Manacorda
Featuring ⌄
Product Details ⌄
Works ⌄
‘Mozart, You Drive Me Crazy!’ This is the title that the South African soprano Golda Schultz has decided to give to her new album, devoted to the female heroines of Don Giovanni, Così fan tutte and Le nozze di Figaro, roles that have marked her career from Berlin to The Metropolitan Opera: ‘Why does Mozart drive me crazy? First of all, because his music, which sounds so easy when you listen to it, is extremely difficult to perform… And when I immerse myself in the world of Da Ponte and Mozart, I realise that there’s a deep complexity to their female characters: they endure the toughest trials, but they also display great strength. In fact, these operas explore humanity from the feminine perspective: every single one of these women is constantly evolving. They show how human beings transcend trauma and how grief and pain can be overcome.’ The programme is conducted by another eminent Mozartian, Antonello Manacorda, with the Kammerakademie Potsdam.
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