Mozart's Clavichord

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Label
Alpha
Release Date
September 12, 2025
Format
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    Featuring
    • COMPOSER
      Wolfgang Amadeus Mozart
    • PERFORMER
      Georg Nigl, Alexander Gergelyfi
    Product Details
    • RELEASE DATE
      September 12, 2025
    • UPC
      3701624511428
    • CATALOG NUMBER
      ALPHA1142
    • LABEL
      Alpha
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Die Zauberflöte, K. 620 (The Magic Flute): Overture (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    2. Die Zauberflöte (The Magic Flute), K. 620, Act II: Ein Mädchen oder Weibchen (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    3. La clemenza di Tito, K. 621, Act I: Marcia (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    4. Das Veilchen, K. 476 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    5. Das Veilchen, K. 476 (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    6. Sehnsucht nach dem Frühlinge, K. 596 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    7. Das Kinderspiel, K. 598 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    8. Die Alte, K. 517 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    9. Rondo in D Major, K. 485 (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    10. Abendempfindung, K. 523 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    11. Fantasia in C Minor, K. 396 (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    12. Die Zufriedenheit, K. 473 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    13. Adagio for Glass Harmonica, K. 617a (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    14. Das Lied der Trennung, K. 519 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    15. Funeral March in C Minor, K. 453a, "Marche funebre del Sig. Maestro Contrapunto" (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi

    16. Die ihr des unermesslichen Weltalls Schöpfer ehrt, K. 619 (arr. G. Nigl and A. Gergelyfi for voice and clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Georg Nigl, Alexander Gergelyfi

    17. Requiem in D Minor, K. 626: Sequence No. 6: Lacrimosa dies illa (arr. A. Gergelyfi for clavichord)

      Composer: Wolfgang Amadeus Mozart

      Performer: Alexander Gergelyfi


How did Mozart hear his own music at home in Salzburg? This recording provides the answer, as it was made not only in the house in which he lived but also with the clavichord that he used to compose Die Zauberflote, La clemenza di Tito and the Requiem. While it's keyboard has the same five-octave range as the fortepianos that Mozart used for concerts, the clavichord's weaker sound limited it to domestic use, to be heard by family members who happened to be present or collaborators. Baritone Georg Nigl and early keyboard specialist Alexander Gergelyfi have devised an intimate programme of arias, overtures, cantatas, Lieder, fantasias, rondos and even the poignant Lacrimosa from the Requiem. This unique album let's us enter Mozart's own house in Salzburg, where we can sit next to an instrument he himself played and listen to two exceptional performers, both of whom are irrevocably smitten with the genius loci.