Music for Archlute, Guitar & Harpsichord / Rigano, Guarino

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Label
Tactus
Release Date
August 5, 2022
Format
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    Featuring
    • COMPOSER
      Luigi Boccherini, Arcangelo Lori, Santiago De Murcia, Domenico Pellegrini, Alessandro Piccinini, Pao
    • PERFORMER
      Paolo Rigano, Cinzia Guarino
    Product Details
    • RELEASE DATE
      August 05, 2022
    • UPC
      8007194107777
    • CATALOG NUMBER
      TC670005
    • LABEL
      Tactus
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Canarios

      Composer: Gaspar Sanz

      Ensemble: Arianna Art Ensemble

    2. Guitar Quintet No. 4 in D Major, G. 448: IV. Fandango (arr. for archlute and harpsichord)

      Composer: Luigi Boccherini

      Ensemble: Arianna Art Ensemble

    3. Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. for archlute and harpsichord)

      Composer: Domenico Scarlatti

      Ensemble: Arianna Art Ensemble

    4. Toccata Nona

      Composer: Alessandro Scarlatti

      Ensemble: Arianna Art Ensemble

    5. Toccata dell'arcangelo

      Composer: Arcangelo Lori

      Performer: Paolo Rigano

    6. Ciaccona in parte variate alla vera spagnuola

      Composer: Domenico Pellegrini

      Ensemble: Arianna Art Ensemble

    7. Giga de Corelli

      Composer: Santiago de Murcia

      Ensemble: Arianna Art Ensemble

    8. Lute Sonata, Op. 1, No. 9: IV. Sarabanda

      Composer: Giovanni Zamboni

      Performer: Paolo Rigano

    9. Keyboard Sonata in D Minor, K.517/L.266/P.517 (arr. for archlute and harpsichord)

      Composer: Domenico Scarlatti

      Ensemble: Arianna Art Ensemble

    10. Toccata a due liuti

      Composer: Alessandro Piccinini

      Ensemble: Arianna Art Ensemble

    11. Fandango

      Composer: Santiago de Murcia

      Ensemble: Arianna Art Ensemble

    12. Corrispondenze

      Composer: Paolo Rigano

      Ensemble: Arianna Art Ensemble


Among the motivations of this disc, the most important one is the wish to present the various styles and periods in a clear, simple way, endeavoring to avoid superabundance and the accumulation of crossover deposits that are often heard where it seems that the music of the past cannot be self-sufficient and needs an extra chromatic and rhythmic shove in order to catch the listeners’ attention, inducing them to compare it with the commercial, repetitive entertainment repertoire. In this musical journey between Italy and Spain of the Baroque era, Paolo Rigano on the archlute and baroque guitar and Cinzia Guarino on the harpsichord are interpreting a singular anthology of pieces enriching the playing through the practice of the basso continuo that marked the entire musical period from the Renaissance to the late Baroque.