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COMPOSERBRUCKNER BRAHMS
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PERFORMERSeptura
Music for Brass Septet / Septura
- Naxos
- August 12, 2014
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RELEASE DATEAugust 12, 2014
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UPC747313331475
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CATALOG NUMBER8573314
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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I. Grave -
Composer: Felix Mendelssohn
Ensemble: Septura
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II. Adagio
Composer: Felix Mendelssohn
Ensemble: Septura
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III. Allegro maestoso e vivace
Composer: Felix Mendelssohn
Ensemble: Septura
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IV. Fuga: Allegro moderato
Composer: Felix Mendelssohn
Ensemble: Septura
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No. 1. An die Sterne
Composer: Robert Schumann
Ensemble: Septura
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No. 2. Ungewisses Licht
Composer: Robert Schumann
Ensemble: Septura
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No. 3. Zuversicht
Composer: Robert Schumann
Ensemble: Septura
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No. 4. Talismane
Composer: Robert Schumann
Ensemble: Septura
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No. 1. Mein Jesu, der du mich
Composer: Johannes Brahms
Ensemble: Septura
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No. 2. Herzliebster Jesu
Composer: Johannes Brahms
Ensemble: Septura
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No. 7. O Gott, du frommer Gott
Composer: Johannes Brahms
Ensemble: Septura
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No. 3. O Welt, ich muss dich lassen
Composer: Johannes Brahms
Ensemble: Septura
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No. 9. Herzlich tut mich verlangen
Composer: Johannes Brahms
Ensemble: Septura
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Geistliches Lied, Op. 30 (arr. M. Knight for brass septet)
Composer: Johannes Brahms
Ensemble: Septura
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Aequale No. 1 in C Minor, WAB 114
Composer: Anton Bruckner
Ensemble: Septura
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Aequale No. 2 in C Minor, WAB 149
Composer: Anton Bruckner
Ensemble: Septura
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Locus iste, WAB 23 (arr. M. Knight for 3 trombones and tuba)
Composer: Anton Bruckner
Ensemble: Septura
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Christus factus est, WAB 11 (arr. S. Cox for 2 trumpets and 3 trombones)
Composer: Anton Bruckner
Ensemble: Septura
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Ave Maria, WAB 6 (arr. S. Cox for brass septet)
Composer: Anton Bruckner
Ensemble: Septura
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Os justi, WAB 30 (arr. S. Hicks for brass septet)
Composer: Anton Bruckner
Ensemble: Septura
Featuring ⌄
Product Details ⌄
Works ⌄
What if four celebrated nineteenth-century composers—Mendelssohn, Schumann, Bruckner and Brahms—had written original works for brass septet? This disc explores that fascinating counterfactual twist, re-imagining choral and organ works by those composers. The arrangements call on the full dynamic and tonal range of the instruments—often extended with a multitude of mutes—to imitate the expressivity of the choir, the power of the organ, and the versatile sonorities of its different registrations and manuals. In dazzling and varied combinations the arrangers and performers together persuade us that this could indeed be original brass chamber music.
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