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COMPOSERCHILD PURCELL TALLIS TURNER
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ORCHESTRA / ENSEMBLEThe Choir Of The Chapel Royal
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PERFORMERGant, The Musicians Extra-Ordinary
Music for the Coronation of James II, 1685
- Signum Classics
- January 1, 2007
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RELEASE DATEJanuary 01, 2007
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UPC635212009420
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CATALOG NUMBERSIGCD094
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LABELSignum Classics
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NUMBER OF DISCS1
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GENRE
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O Lord, grant the King a long life
Composer: William Child
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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I was glad, Z. 19
Composer: Henry Purcell
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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Let thy hand be strengthened
Composer: John Blow
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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Litany
Composer: Thomas Tallis
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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Come, Holy Ghost, our souls inspire
Composer: William Turner
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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Zadok, the priest
Composer: Henry Lawes
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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Behold, O God our defender
Composer: John Blow
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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The King shall rejoice
Composer: William Turner
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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Te Deum in E-Flat Major
Composer: William Child
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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God spake sometime in visions and said
Composer: John Blow
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
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My Heart is inditing, Z. 30
Composer: Henry Purcell
Ensemble: Chapel Royal Choir, Musicians Extra-ordinary
Conductor: Andrew Gant
Featuring ⌄
Product Details ⌄
Works ⌄
With a stunning selection of choral music that is truly fit for a King, Andrew Gant leads the Choir of the Chapel Royal & The Musicians Extra-Ordinary to re-create the music that accompanied the coronation of James II and Queen Mary in 1685.
REVIEWS:
The performances are very good, as is the 24-bit recording...The instrumental parts are no mere accompaniments: the ‘twenty-four violins’ of the royal orchestra were apparently used for some of these anthems and they often have the field to themselves, hence the title ‘symphony anthems’, but I would have liked a slightly more even balance.
That’s a small price to pay for hearing such fine music in such sympathetic performances. The notes in the booklet, too, are very informative, even making a case against the usual assumption that Blow was acting altruistically in yielding the post of organist to Purcell, perhaps more an act of convenience for a busy musician.
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