Naxos Bach Edition 1 - Concertos For Oboe, Oboe D'amore

$19.99
Label
Naxos
Release Date
January 1, 2000
Format
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    Featuring ⌄
    • COMPOSER
      BACH J.S.
    • ORCHESTRA / ENSEMBLE
      Cologne Chamber Orchestra
    • PERFORMER
      Lisa, Helmut, Stewart, Christian, Müller-Brühl, Hommel
    Product Details ⌄
    • RELEASE DATE
      January 01, 2000
    • UPC
      636943460221
    • CATALOG NUMBER
      8554602
    • LABEL
      Naxos
    • NUMBER OF DISCS
      1
    • GENRE
      Orchestral & Symphonic
    Works ⌄

    1. I. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    2. II. Larghetto

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    3. III. Allegro ma non tanto

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    4. I. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    5. II. Largo

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    6. III. Presto

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    7. I. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    8. II. Adagio (Alessandro Marcello)

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    9. III. Presto

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    10. I. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    11. II. Siciliano

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    12. III. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel

      Conductor: Helmut Müller-Brühl

    13. I. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel, Lisa Stewart

      Conductor: Helmut Müller-Brühl

    14. II. Adagio

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel, Lisa Stewart

      Conductor: Helmut Müller-Brühl

    15. III. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Kölner Kammerorchester

      Performer: Christian Hommel, Lisa Stewart

      Conductor: Helmut Müller-Brühl


It's well known that the vast majority of what have come down to us as Bach's Harpsichord Concertos were originally written for violin, oboe, oboe d'amore, or some combination of the two. The originals have all disappeared, but reconstructions are possible within a very small margin of error, particularly in the case of the Double Concerto BWV 1060, which has been performed and enjoyed in its original form for violin and oboe (or oboe d'amore) for more than half a century. Naxos' complete edition of Bach's orchestral music properly includes the most famous of all the reconstructions, the violin version of the Harpsichord Concerto in D minor BWV 1052, in the violin concerto volume of this series, leaving this disc to the double concerto noted above, as well as four oboe/oboe d'amore works. Soloists Christian Hummel and Lisa Stewart offer attractive, tastefully ornamented, sweet-toned performances on modern instruments that take into account period performance practice. For anyone who enjoys Bach's orchestral music or the more familiar harpsichord versions of these works, this disc is self-recommending. --David Hurwitz, ClassicsToday.com