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COMPOSERHugo Alfven, Edvard Hagerup Grieg, Carl Nielsen, Jean Sibelius, Wilhelm Stenhammar, Johan Svendsen
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ORCHESTRA / ENSEMBLEJanacek Philharmonic Orchestra, Bournemouth Symphony Orchestra
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PERFORMERBerliner Sinfonie-Orchester, Royal S
Nordic Symphonies
- Brilliant Classics
- February 16, 2024
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RELEASE DATEFebruary 16, 2024
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UPC5028421969367
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CATALOG NUMBERBRI96936
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LABELBrilliant Classics
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NUMBER OF DISCS10
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GENRE
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I. Andante, ma non troppo - Allegro energico
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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II. Andante ma non troppo lento
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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III. Scherzo: Allegro
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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IV. Finale (quasi una Fantasia): Andante - Allegro molto
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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En saga, Op. 9
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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Finlandia, Op. 26
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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I. Allegretto
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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II. Tempo andante, ma rubato
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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III. Vivacissimo
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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IV. Finale: Allegro moderato
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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I. Allegro moderato
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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II. Andantino con moto, quasi allegretto
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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III. Moderato - Allegro ma non tanto
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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I. Tempo molto moderato, quasi adagio
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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II. Allegro molto vivace
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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III. Il tempo largo
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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IV. Allegro
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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I. Tempo molto moderato - Allegro moderato
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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II. Andante mosso, quasi allegretto
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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III. Allegro molto - Largamente assai
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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I. Allegro molto moderato
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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II. Allegretto moderato
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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III. Poco vivace
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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IV. Allegro molto
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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Symphony No. 7 in C Major, Op. 105
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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Night Ride and Sunrise, Op. 55
Composer: Jean Sibelius
Ensemble: Deutsches Symphonie-Orchester Berlin
Conductor: Kurt Sanderling
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I. Allegro orgoglioso
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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II. Andante
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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III. Allegro comodo
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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IV. Finale: Allegro con fuoco
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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I. Allegro collerico
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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II. Allegro comodo e flemmatico
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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III. Andante malincolico
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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IV. Allegro sanguineo
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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I. Allegro espansivo
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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II. Andante pastorale
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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III. Allegretto un poco
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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IV. Finale: Allegro
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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I. Allegro
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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II. Poco allegretto
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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III. Poco adagio quasi andante
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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IV. Allegro
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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I. Tempo giusto
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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II. Allegro
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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I. Tempo giusto
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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II. Humoreske: Allegretto
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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III. Proposta seria: Adagio
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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IV. Tema con variazioni
Composer: Carl Nielsen
Ensemble: Janáček Philharmonic Orchestra
Conductor: Theodore Kuchar
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I. Molto allegro
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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II. Andante
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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III. Allegretto scherzando
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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IV. Finale: Maestoso - Allegro assai con fuoco
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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I. Allegro
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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II. Andante sostenuto
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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III. Intermezzo: Allegro giusto
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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IV. Finale: Andante - Allegro con fuoco
Composer: Johan Svendsen
Ensemble: Bournemouth Symphony Orchestra
Conductor: Bjarte Engeset
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I. Grave: Allegro con brio
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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II. Andante
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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III. Allegro, molto scherzando
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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IV. Allegro, ma non troppo
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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I. Allegro con brio
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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II. Andante
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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III. Presto
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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IV. Allegro con brio
Composer: Hugo Alfvén
Ensemble: Royal Scottish National Orchestra
Conductor: Niklas Willén
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I. Allegro energico
Composer: Wilhelm Stenhammar
Ensemble: Royal Scottish National Orchestra
Conductor: Petter Sundkvist
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II. Andante
Composer: Wilhelm Stenhammar
Ensemble: Royal Scottish National Orchestra
Conductor: Petter Sundkvist
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III. Scherzo: Allegro ma non troppo presto
Composer: Wilhelm Stenhammar
Ensemble: Royal Scottish National Orchestra
Conductor: Petter Sundkvist
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IV. Finale: Sostenuto - Allegro vivace - Tranquillamente - Allegro ma non troppo
Composer: Wilhelm Stenhammar
Ensemble: Royal Scottish National Orchestra
Conductor: Petter Sundkvist
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I. Allegro molto
Composer: Edvard Grieg
Ensemble: Malmö Symphony Orchestra
Conductor: Bjarte Engeset
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II. Adagio espressivo
Composer: Edvard Grieg
Ensemble: Malmö Symphony Orchestra
Conductor: Bjarte Engeset
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III. Intermezzo
Composer: Edvard Grieg
Ensemble: Malmö Symphony Orchestra
Conductor: Bjarte Engeset
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IV. Finale: Allegro molto vivace
Composer: Edvard Grieg
Ensemble: Malmö Symphony Orchestra
Conductor: Bjarte Engeset
Featuring ⌄
Product Details ⌄
Works ⌄
From the outset of his career, Jean Sibelius was recognized as an outstanding representative of a musical language perceived as typically Finnish. In Finland, the dawn of the 20th century saw a veritable outbreak of nationally inspired artistic activities., It was a time of cultural and national self-discovery for Sibelius, too. He allowed himself be stimulated by the whole of Finland’s folklore tradition, without resorting to specific examples of folksong.
For many years, Carl Nielsen was viewed outside his native Denmark as the poor cousin of his more famous Scandinavian counterparts, Grieg and Sibelius. Yet his achievements as Denmark’s greatest symphonist of the 20th century were, if anything, even more remarkable than the successes of his geographical neighbors. Nielsen’s symphonic output is some of the most remarkable of its time.
The Norwegian conductor and composer Johann Svendsen was born in 1840 in Christiania (now Oslo). in 1867, he finished his Symphony No. 1, a work that Grieg later described as showing scintillating genius, superb national feeling and really brilliant handling of an orchestra. In 1872 Svendsen returned to Christiania beginning a fruitful period that saw the creation of his Symphony No. 2 in B flat major Op. 15.
Hugo Alfven's First Symphony (1897) has a melancholy Sturm und Drang mood that recurs at intervals in his later compositions, but there is also a life affirming side that flourished in his Second Symphony, two years later. Of his Third Symphony, he stated "it depicts neither concrete nor abstract. It is an expression of the joy of living, an expression of the sun-lit happiness that filled my whole being.”
Wilhelm Stenhammar's Symphony Op. 34 saw the light of day in 1907, dedicating it to “my dear friends, the members of the Goteborg Symphony Orchestra.” He was to remain its chief conductor until 1922. That symphony, which had its first performance under the composer’s direction in 1915, was in fact Stenhammar’s second and is today called Symphony No. 2, even if the composer himself never gave it that number.
Edvard Grieg’s Symphony in C minor, which the composer withdrew, saw scholar after scholar writing about it disparagingly, with much discussion of the its style, all too often based on the question: what are its unoriginal or unsuccessful features? But it was Grieg himself who began the tradition with his admonition that it “must never be performed”. Now, however, very few feel, on moral grounds, that the work should not be performed.
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