On My Way / LaBarr, Missouri State University Chorale

$18.99
Label
GIA
Release Date
July 3, 2020
Format
Added to Cart! View cart or continue shopping.


    Featuring ⌄
    • COMPOSER
      VARIOUS
    • ORCHESTRA / ENSEMBLE
      Missouri State University Chorale
    • PERFORMER
      Labarr, Payne
    Product Details ⌄
    • RELEASE DATE
      July 03, 2020
    • UPC
      785147006527
    • CATALOG NUMBER
      GIACD-1065
    • LABEL
      GIA
    • NUMBER OF DISCS
      1
    • GENRE
      Adult Contemporary
    Works ⌄

    1. Saints Bound for Heaven (arr. A. Parker and R. Shaw for choir)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Conductor: Cameron F. LaBarr

    2. No. 1. Discourse on John 10:27 (excerpts)

      Composer: Knut Nystedt

      Ensemble: Missouri State University Chorale

      Performer: Claire Herzog, Hannah Martin

      Conductor: Cameron F. LaBarr

    3. No. 2. Discourse on 2 Timothy 2: 12-13: Opening

      Composer: Knut Nystedt

      Ensemble: Missouri State University Chorale

      Performer: Claire Herzog, Hannah Martin

      Conductor: Cameron F. LaBarr

    4. No. 3. Discourse on 1 John 3:20: Opening

      Composer: Knut Nystedt

      Ensemble: Missouri State University Chorale

      Performer: Claire Herzog, Hannah Martin

      Conductor: Cameron F. LaBarr

    5. No. 4. Diary entry from 01 February 1839

      Composer: Knut Nystedt

      Ensemble: Missouri State University Chorale

      Performer: Claire Herzog, Hannah Martin

      Conductor: Cameron F. LaBarr

    6. No. 5. Hedningenes Bekywringer (The heathens Anzieties): Foreword

      Composer: Knut Nystedt

      Ensemble: Missouri State University Chorale

      Performer: Claire Herzog, Hannah Martin

      Conductor: Cameron F. LaBarr

    7. No. 6. Kierkegaard's religious writings

      Composer: Knut Nystedt

      Ensemble: Missouri State University Chorale

      Performer: Claire Herzog, Hannah Martin

      Conductor: Cameron F. LaBarr

    8. Steal Away (arr. P.D. Quigley for voice, choir and piano)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Performer: Kara Libby, Parker Payne

      Conductor: Cameron F. LaBarr

    9. Travelin' Shoes (arr. F. Morgan for choir)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Conductor: Erin E. Plisco

    10. Look Up, Look Down (arr. J. Wykoff for choir)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Conductor: Cameron F. LaBarr

    11. Gone Home (arr. J. Wykoff for voice, choir and piano)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Performer: Troy Robertson, Parker Payne

      Conductor: Cameron F. LaBarr

    12. I'm Building Me a Home (arr. A. Trecek-King for 2 sopranos and choir)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Performer: Kara Libby, Faith Morgan

      Conductor: Cameron F. LaBarr

    13. Were You There? (arr. P.D. Quigley for voice, choir and piano)

      Composer: Traditional

      Ensemble: Missouri State University Chorale

      Performer: Chris Thompson, Parker Payne

      Conductor: Erin E. Plisco

    14. I'll Be on My Way

      Composer: Shawn Kirchner

      Ensemble: Missouri State University Chorale

      Performer: Chris Thompson, Parker Payne

      Conductor: Cameron F. LaBarr


One of the world’s most salient features is that there is so much trouble, but one of the world’s deepest hopes is for something better. A better life. A better place. A better world that transcends our troubles. A haven. A Heaven. A full home and a final one. The tension between these two ideas (trouble and transcendence) is the binding theme of this collection of choral works. Each piece takes up some aspect of that theme. Some describe the sorrow and tragedy of this world. Some express fear and trembling at the cost of redeeming it. Most of the works express a hope for a better world. The implications of the difference between trouble and transcendence is most deeply explored in the centerpiece of the collection, “Prayers of Kierkegaard.”