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COMPOSERTAVENER, JOHN
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ORCHESTRA / ENSEMBLETavener Choir
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PERFORMERParrott
Out Of The Night - Part: Magnificat; Tavener: Threnos, Etc
- Sony Masterworks
- January 11, 2000
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RELEASE DATEJanuary 11, 2000
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UPC074646175323
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CATALOG NUMBERSK61753
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LABELSony Masterworks
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NUMBER OF DISCS1
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GENRE
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Magnificat
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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Out of the Night
Composer: John Tavener
Ensemble: Taverner Choir
Performer: Leigh Nixon, Jane Atkins
Conductor: Andrew Parrott
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No. 1. O Weisheit
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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No. 2. O Adonai
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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No. 3. O Spross aus Isais Wurzel
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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No. 4. O Schlussel Davids
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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No. 5. O Morgenstern
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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No. 6. O Konig aller Volker
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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No. 7. O Immanuel
Composer: Arvo Pärt
Ensemble: Taverner Choir
Conductor: Andrew Parrott
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Out of the Night
Composer: John Tavener
Ensemble: Taverner Choir
Performer: Leigh Nixon, Jane Atkins
Conductor: Andrew Parrott
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Fratres (version for cello ensemble)
Composer: Arvo Pärt
Performer: Michael Stirling, Alastair Blayden, Moray Welsh
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Canticle of the Mother of the God
Composer: John Tavener
Ensemble: Taverner Choir
Performer: Claron McFadden
Conductor: Andrew Parrott
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Out of the Night
Composer: John Tavener
Ensemble: Taverner Choir
Performer: Leigh Nixon, Jane Atkins
Conductor: Andrew Parrott
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Thrinos
Composer: John Tavener
Performer: Moray Welsh
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Out of the Night
Composer: John Tavener
Ensemble: Taverner Choir
Performer: Leigh Nixon, Jane Atkins
Conductor: Andrew Parrott
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Ikon of the Nativity
Composer: John Tavener
Ensemble: Taverner Choir
Conductor: Andrew Parrott
Featuring ⌄
Product Details ⌄
Works ⌄
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the Pärt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
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