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COMPOSERPACHELBEL, JOHANN
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PERFORMERHimlische Cantorey, Kobow
Pachelbel: Magnificat / Kobow, Himlische Cantorey
- CPO
- July 10, 2020
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RELEASE DATEJuly 10, 2020
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UPC761203770724
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CATALOG NUMBER777707-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Magnificat in C Major, PWV 1502
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Ina Siedlaczek, Anne Bierwirth, Jan Kobow, Ralf Grobe
Conductor: Jan Kobow
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Meine Sünde betrüben mich, PWV 1221
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter
Conductor: Jan Kobow
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Magnificat in F Major, PWV 1511
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Anne Bierwirth, Jan Kobow, Ralf Grobe
Conductor: Jan Kobow
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Kyrie eleison
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Ina Siedlaczek, Anne Bierwirth, Sören Richter, Hans Wijers
Conductor: Jan Kobow
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Gloria in Excelsis Deo
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Ina Siedlaczek, Anne Bierwirth, Sören Richter, Hans Wijers
Conductor: Jan Kobow
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Credo in unum Deum
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Ina Siedlaczek, Anne Bierwirth, Sören Richter, Hans Wijers
Conductor: Jan Kobow
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Magnificat in G Minor, PWV 1513
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Anne Bierwirth, Jan Kobow, Ralf Grobe
Conductor: Jan Kobow
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Vergeh doch nicht, du armer Sünder, PWV 1225
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Jan Kobow
Conductor: Jan Kobow
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Magnificat in C Major, PWV 1504
Composer: Johann Pachelbel
Ensemble: Himlische Cantorey
Performer: Veronika Winter, Anne Bierwirth, Jan Kobow, Ralf Grobe
Conductor: Jan Kobow
Featuring ⌄
Product Details ⌄
Works ⌄
The present recording spreads out before us the rich musical panorama covered by Pachelbel’s Magnificat compositions. We do not know what we should admire more about these works: the complexity of the contrapuntal and concerto textures or the naturalness and cantability of the part writing. In addition, we have Pachelbel’s great variation artistry, which constantly brings forth new formal designs, instrumental combinations, and focal points on the basis of one and the same text. Moreover, the natural flow of Pachelbel’s music includes a steady stream of musical rhetorical interpretations, and the richly pictorial Magnificat text offers plenty of opportunities for them. On this recording two sacred concertos and a Mass in three movements complement the four very different Magnificat settings and serve as contrasts to them.
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