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COMPOSERPALMERI, MARTIN
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PERFORMERTaubert, Laabs, Heidrich, Saechsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, J
Palmeri: Misa a Buenos Aires "Misatango" & Tango Gloria / Jung, Sachsisches Vokalensemble
- CPO
- January 20, 2017
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RELEASE DATEJanuary 20, 2017
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UPC761203509225
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CATALOG NUMBER555092-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Kyrie
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Gloria
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Annekathrin Laabs
Conductor: Matthias Jung
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Credo
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Annekathrin Laabs
Conductor: Matthias Jung
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Sanctus
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Annekathrin Laabs
Conductor: Matthias Jung
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Benedictus
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Annekathrin Laabs
Conductor: Matthias Jung
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Agnus Dei
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Annekathrin Laabs
Conductor: Matthias Jung
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Gloria in excelsis Deo
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Et in terra pax hominibus
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Laudamus te
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Heidi Maria Taubert, Annekathrin Laabs, Clemens Heidrich
Conductor: Matthias Jung
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Gratias agimus tibi
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Propter magnam
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Domine Deus, rex coelestis
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Heidi Maria Taubert
Conductor: Matthias Jung
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Domine fili unigenite
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Heidi Maria Taubert, Annekathrin Laabs, Clemens Heidrich
Conductor: Matthias Jung
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Domine Deus, agnus dei
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Annekathrin Laabs
Conductor: Matthias Jung
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Qui tollis peccata mundi
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Qui sedes ad dexteram patris
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Performer: Clemens Heidrich
Conductor: Matthias Jung
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Quoniam tu solus sanctus
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
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Cum sancto spiritu
Composer: Martín Palmeri
Ensemble: Sächsisches Vocalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam
Conductor: Matthias Jung
Featuring ⌄
Product Details ⌄
Works ⌄
Martín Palmeri's tango mass is inspired by his native Argentina's traditional tango and in particular by Astor Piazzolla's tango nuevo. Piazzolla developed a "new tango" intended no longer as dance music but for the concert stage; by incorporating contemporary forms and musical developments it gave rise to a complex genre of art music. The Misa a Buenos Aires premiered by the Orquesta Sinfónica de Cuba in 1996 demonstrates Palmeri's impressive and equally entertaining talent for integrating stylistic features of the tango into his compositions. The textual basis of the work is the classical Catholic Ordinary of the Mass as it has been set to music for centuries. The scoring for mezzo-soprano, mixed choir, tango quartet, and string orchestra remains close to the authentic ensembles of the tango orchestras of Palmeri's native country. Here what is above all exciting is how imaginatively he employs the playing resources of the instruments. Typical techniques of the tango, this rhythmically emphatic dance in which the melody instruments are also used percussively to give impulses, play an important role here. The outstanding employment of the bandoneón, sometimes as a singing voice, then again as a rhythm instrument, here guarantees the preservation of the "tango soul." Melodic leading, harmony, and the rhythmic structures are also recognizable as tango stylistic means to non-experts. It is with great melodic imaginative richness that Palmeri blends the various tone colors of the tango with the various characteristics of the individual parts of the mass. The Gloria, premiered in 2014, a good eighteen years after the tango mass, is of somewhat greater complexity – both in compositional technique and in harmony – and leaves behind the pleasant tone of the mass. In all of its parts, however, here too the melodic and emotional expressive variety remains. Here European tradition and the tango are brought together in a finely crafted and compelling manner.
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