Pasquini: L'Idalma / Vendittelli, Rosati, De Marchi, Innsbruck Festival Orchestra

$25.99
Label
CPO
Release Date
October 28, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Bernardo Pasquini
    • PERFORMER
      Arianna Vendittelli, Anita Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Morgan P
    Product Details ⌄
    • RELEASE DATE
      October 28, 2022
    • UPC
      761203550128
    • CATALOG NUMBER
      555501-2
    • LABEL
      CPO
    • NUMBER OF DISCS
      3
    • GENRE
      Classical
    Works ⌄

    1. Sinfonia

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Conductor: Alessandro De Marchi

    2. Act I Scene 1: Perché non ti rendi d'amore a gl'imperi (Lindoro, Pantano, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rupert Charlesworth, Rocco Cavalluzzi, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    3. Act I Scene 2: Piagge incolte, erme arene (Almiro, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Morgan Pearse, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    4. Act I Scene 3: Son pur dolci aquei placidi ardori (Celindo, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho, Margherita Sala

      Conductor: Alessandro De Marchi

    5. Act I Scene 4: Sete pur fortunato (Pantano, Lindoro, Celindo, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rocco Cavalluzzi, Rupert Charlesworth, Juan Sancho, Margherita Sala

      Conductor: Alessandro De Marchi

    6. Act I Scene 5: Signori con licenza (Dorillo, Celindo, Pantano, Irene, Lindoro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Juan Sancho, Rocco Cavalluzzi, Margherita Sala, Rupert Charlesworth

      Conductor: Alessandro De Marchi

    7. Act I Scene 6: Che gare, che contese? (Celindo, Pantano, Lindoro, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho, Rocco Cavalluzzi, Rupert Charlesworth, Margherita Sala

      Conductor: Alessandro De Marchi

    8. Act I Scene 7: Tenetelo, legatelo (Dorillo, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    9. Act I Scene 8: Quanto, o caro german, gioisce Irene (Irene, Almiro, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala, Morgan Pearse, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    10. Act I Scene 9: Se non pace, almen tregua (Irene, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    11. Act I Scene 10: Hai vinto infido, insuperbisci e godi (Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala

      Conductor: Alessandro De Marchi

    12. Act I Scene 11: La sposa è in collera né so con chi (Dorillo, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Margherita Sala

      Conductor: Alessandro De Marchi

    13. Act II: Sinfonia

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Conductor: Alessandro De Marchi

    14. Act II Scene 1: In questo punto istesso bramo partir (Celindo, Dorillo)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho, Anita Giovanna Rosati

      Conductor: Alessandro De Marchi

    15. Act II Scene 2: Sventurato Celindo (Celindo)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho

      Conductor: Alessandro De Marchi

    16. Act II Scene 3: Son pur cessate, o bella (Lindoro, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rupert Charlesworth, Margherita Sala

      Conductor: Alessandro De Marchi

    17. Act II Scene 4: Infelice che senti? (Idalma, Lindoro, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Arianna Vendittelli, Rupert Charlesworth, Margherita Sala

      Conductor: Alessandro De Marchi

    18. Act II Scene 5: La donzella straniera (Celindo, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    19. Act II Scene 6: Ah frine impura ai tuoi lascivi affetti (Irene, Idalma, Celindo)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala, Arianna Vendittelli, Juan Sancho

      Conductor: Alessandro De Marchi

    20. Act II Scene 7: Non è giusta (Dorillo, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    21. Act II Scene 8: Il fuggir del nume arciero la penosa servitù (Almiro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Morgan Pearse

      Conductor: Alessandro De Marchi

    22. Act II Scene 9: Misera, e pur m'aggiro (Idalma, Almiro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Arianna Vendittelli, Morgan Pearse

      Conductor: Alessandro De Marchi

    23. Act II Scene 10: Almiro, e donde avviene (Irene, Almiro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala, Morgan Pearse

      Conductor: Alessandro De Marchi

    24. Act II Scene 11: O quanto godo or che mi pare (Dorillo, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Margherita Sala

      Conductor: Alessandro De Marchi

    25. Act II Scene 12: Per dirvela, signore (Pantano, Lindoro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rocco Cavalluzzi, Rupert Charlesworth

      Conductor: Alessandro De Marchi

    26. Act II Scene 13: Servo, signor Lindoro (Dorillo, Lindoro, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Rupert Charlesworth, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    27. Act II Scene 14: Dimmi Pantano (Dorillo, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    28. Act II Scene 15: Fu comune l'inganno, che le spine pungenti (Irene, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    29. Act II Scene 16: Ecco, che pur la tua pietà mi tragge (Lindoro, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rupert Charlesworth, Margherita Sala

      Conductor: Alessandro De Marchi

    30. Act II Scene 17: Dorillo non menti (Celindo, Irene, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho, Margherita Sala, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    31. Act II Scene 18: Inuman, discortese, frena la destra ardita (Almiro, Celindo, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Morgan Pearse, Juan Sancho, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    32. Act III Scene 1: Se regna in te pietà (Lindoro, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rupert Charlesworth, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    33. Act III Scene 2: O bel matrimonio (Dorillo, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    34. Act III Scene 3: Almiro, entro il mio petto (Celindo, Almiro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Juan Sancho, Morgan Pearse

      Conductor: Alessandro De Marchi

    35. Act III Scene 4: Cieli, voi che scorgete (Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Margherita Sala

      Conductor: Alessandro De Marchi

    36. Act III Scene 5: Signora, è qui Pantano (Dorillo, Irene, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Margherita Sala, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    37. Act III Scene 6: Qui di Lindoro il servo? (Almiro, Pantano, Irene, Dorillo)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Morgan Pearse, Rocco Cavalluzzi, Margherita Sala, Anita Giovanna Rosati

      Conductor: Alessandro De Marchi

    38. Act III Scene 7: Chi di tanti miei martiri (Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Arianna Vendittelli

      Conductor: Alessandro De Marchi

    39. Act III Scene 8: Già che il mio sdegno invano (Almiro, Irene, Idalma)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Morgan Pearse, Margherita Sala, Arianna Vendittelli

      Conductor: Alessandro De Marchi

    40. Act III Scene 9: Lustrissimo pietà (Pantano, Idalma, Celindo, Almiro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rocco Cavalluzzi, Arianna Vendittelli, Juan Sancho, Morgan Pearse

      Conductor: Alessandro De Marchi

    41. Act III Scene 10: Pantan (Idalma, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Arianna Vendittelli, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    42. Act III Scene 11: Signora non è tempo di burlare (Dorillo, Irene)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Margherita Sala

      Conductor: Alessandro De Marchi

    43. Act III Scene 12: Solitudini care, amici orrori (Lindoro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Rupert Charlesworth

      Conductor: Alessandro De Marchi

    44. Act III Scene 13: Perfido (Almiro, Celindo, Idalma, Lindoro, Pantano)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Morgan Pearse, Juan Sancho, Arianna Vendittelli, Rupert Charlesworth, Rocco Cavalluzzi

      Conductor: Alessandro De Marchi

    45. Act III Scene 14: Ehi, ehi della torre (Dorillo, Pantano, Almiro, Irene, Idalma, Celindo, Lindoro)

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Performer: Anita Giovanna Rosati, Rocco Cavalluzzi, Morgan Pearse, Margherita Sala, Arianna Vendittelli, Juan Sancho, Rupert Charlesworth

      Conductor: Alessandro De Marchi

    46. Act III: Ritornello finale

      Composer: Bernardo Pasquini

      Ensemble: Innsbruck Festival Orchestra

      Conductor: Alessandro De Marchi


It's already a tradition: at the opening of the Innsbruck Festival there's a baroque opera rediscovery. This time it is "L' Idalma overo Chi dura la vince" - "Idalma, or Whoever perseveres wins" by Bernardo Pasquini. Competing against Alessandro Scarlatti, Pasqini composed his "Idalma" in the Roman Carnival of 1680. It is about marital fidelity and steadfast love: themes that were already a favorite of Italian noble houses in the 17th century, and Bernardo Pasquini was, after all, in the service of the Roman Borghese family for over forty years. Together with Giovanna Barbati, conductor and artistic director of the Festwochen Alessandro de Marchi has created a new version of the work, which has been forgotten for some 350 years, based on the composer's own handwriting. This version dispenses with lengthy musical repetitions and instead scores with a fireworks display of affects: brilliant arias full of expressivity and power, instrumental richness, sweeping ensembles and a sensitive musical design that takes full account of the permanent change of affects and dramatic situations.