Pergolesi: La Serva Padrona / Tarabella: Il Servo Padrone

$8.99
Label
Brilliant Classics
Release Date
October 5, 2018
Format
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    Featuring ⌄
    • COMPOSER
      PERGOLESI TARABELLA
    • ORCHESTRA / ENSEMBLE
      Orchestra V.Galilei
    • PERFORMER
      Liuzzi, Pecchioli, Di Gioia, Santia, Scogna
    Product Details ⌄
    • RELEASE DATE
      October 05, 2018
    • UPC
      5028421953601
    • CATALOG NUMBER
      BRI95360
    • LABEL
      Brilliant Classics
    • NUMBER OF DISCS
      2
    • GENRE
      Classical
    Works ⌄

    1. Intermezzo I: Introduction: Aspettare e non venire (Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    2. Intermezzo I: Recitative: Quest'e per me disgrazia (Uberto, Serpina)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    3. Intermezzo I: Aria: Sempre in contrasti con te si sta (Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    4. Intermezzo I: Recitative: In somma delle somme, per attendere al vostro bene (Serpina, Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    5. Intermezzo I: Aria: Stizzoso, mio stizzoso, voi fate il borioso (Serpina)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    6. Intermezzo I: Recitative: Benissimo. Hai tu intenso? (Uberto, Serpina)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    7. Intermezzo I: Duet: Lo conosco, a quegli occhietti (Serpina, Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    8. Intermezzo II: Recitative: Or che fatto tu sei dalla mia parte (Serpina, Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    9. Intermezzo II: Aria: A Serpina penserete, qualche volta e qualche di … (Serpina)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    10. Intermezzo II: Recitative: Ah! quanto mi sa male di tal risoluzione (Uberto, Serpina)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    11. Intermezzo II: Aria: Son imbrogliato io gia (Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    12. Intermezzo II: Recitative: Favorisca, signor, passi (Serpina, Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    13. Intermezzo II: Finale: Duet: Contento tu sarai, avrai amor per me? (Serpina, Uberto)

      Composer: Giovanni Battista Pergolesi

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    14. Part I: Ouverture del ronzio

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    15. Part I: Aria: Mangiar bene e digerire (Uberto)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    16. Part I: Recitative: Oh, che grande fortuna

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    17. Part I: Trio: Non m'hai sposata (Serpina, Uberto, Vespone)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia, Paolo Pecchioli

      Conductor: Flavio Emilio Scogna

    18. Part I: Recitative: E ora vecchio cialtrone impertinente

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    19. Part I: Aria: Su, presto, corri Uberto (Uberto)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    20. Part I: Recitative: Eccovi il cioccolate

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    21. Part I: Aria: Bisogna al mio commando (Serpina, Uberto)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    22. Part I: Recitative: Benissimo ho inteso

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    23. Part I: Duet: O Vespino, mio Vespino (Serpina, Uberto)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    24. Part II: Recitative: Ora che come un merlo

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    25. Part II: Aria: Per amore, per pietà (Vespone)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Paolo Pecchioli

      Conductor: Flavio Emilio Scogna

    26. Part II: Trio: Oilà di casa (Serpina, Uberto, Vespone)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Paolo Pecchioli, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    27. Part II: Recitative: Gentil signora sconosciuta

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    28. Part II: Duet: Ah, Serpina meschinetta (Serpina, Vespone)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Paolo Pecchioli

      Conductor: Flavio Emilio Scogna

    29. Part II: Recitative: Serpina … Padrona

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    30. Part II: Trio: Io Vespone de' Vesponi (Serpina, Uberto, Vespone)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Paolo Pecchioli, Donato Di Gioia

      Conductor: Flavio Emilio Scogna

    31. Part II: Recitative: Or che dell'universo

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Conductor: Flavio Emilio Scogna

    32. Part II: Trio: Il cuor mi salta in gola (Serpina, Uberto, Vespone)

      Composer: Aldo Tarabella

      Ensemble: Vincenzo Galilei Orchestra

      Performer: Erika Liuzzi, Paolo Pecchioli, Donato Di Gioia

      Conductor: Flavio Emilio Scogna


Giovanni Battista Pergolesi owes much of his fame to La Serva Padrona, a comic intermezzo designed to be performed between the acts of an opera seria. In it, a maid and a servant conspire to convince their master to marry the maid. When Aldo Tarabella was asked to direct a performance of Pergolesi's intermezzo, he wanted to do more than simply pair it with one of the operas it traditionally sits alongside - so he composed Il Servo Padrone, a companion piece, and a kind of sequel, to Pergolesi's original. At the level of the plot, things come full circle, and by the end, master and servants have returned to where things began, highlighting the difficulty of fundamentally changing social conditions. A kind of emancipation seemed within reach, but is ultimately not achieved - in some senses, the reverse of what one might expect given the transformation of social roles in Europe among (at least middle-class) women in the 17th century and since. Musically, however, this homage to an 18th-century musical form is very much brought into the present day. It's arias are developed in an atonal context and it's recitatives leave traditional Classical form behind to travel symbolically towards the light-hearted episodes found in 20th-century musical comedy. This unique album is the first ever recording of Tarabella's tributary composition.