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COMPOSERPETRALI, VINCENZO ANTONIO
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PERFORMERPaolo Bottini
Petrali: Organ Music / Paolo Bottini
- Brilliant Classics
- November 20, 2020
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RELEASE DATENovember 20, 2020
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UPC5028421956138
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CATALOG NUMBERBRI95613
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LABELBrilliant Classics
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NUMBER OF DISCS2
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GENRE
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Messa Solenne: Preludio - Ripieno semplice
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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I. Poco andante
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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II. Andantino
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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III. Andante mosso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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I. Allegro pomposo
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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II. Andantino
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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III. Allegretto moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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IV. Poco andante
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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V. Andantino religioso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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VI. Allegretto grazioso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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VII. Allegro vivo
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Preludio per l'Epistola: Allegro molto moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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3 Sonate per l'Offertorio: Poco adagio - Allegro
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Elevazione: Andante mosso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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3 Sonate per la Comunione: Allegro non troppo
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Sonata Finale
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Messa Solenne: Pastorale per l'Elevazione: Andantino
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Sonata per la Comunione in A Major
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Adagio per l'Elevazione in B Major
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Messa Solenne in C Major (1847): Marcia per dopo la Messa: Allegro marziale
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 1. Divisione della tastiera: Andante assai tranquillo
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 2. Divisione della tastiera: Andante religioso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 3. Divisione della tastiera: Moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 4. Terza Mano: Moderato assai
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 5. Terza Mano: Allegretto grazioso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 6. Terza Mano: Allegretto
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 7. Tremolo: Adagio religioso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Uso dei pedaletti nei soprano: Andante cantabile
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Uso dei pedaletti nei bassi: Allegretto grazioso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Tiratutto degli Istrumenti ad ancia: Moderato marziale
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Tiratutto a comodo pei registri preparati: Allegro con fuoco
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Tiratutto I-II e tiratutto per gli istrumenti ad ancia: Allegro vivo
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Distacco del tasto dal pedale: Andantino cantabile
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Ostinazione del tasto
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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Banda: Allegro vivace
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 22. Andantino
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 23. Allegretto
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 34. Andante mosso
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 35. Allegro moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 36. Adagio
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 37. Allegro
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 38. Allegro
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 39. Adagio
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 40. Allegro
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 41. Adagio
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 42. Allegro
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 43. Andante
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 44. Vivace
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 45. Moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 46. Moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 47. Allegro moderato
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 48. Andante sostenuto
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 49. Adagio
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
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No. 50. Allegro
Composer: Vincenzo Antonio Petrali
Performer: Paolo Bottini
Featuring ⌄
Product Details ⌄
Works ⌄
Vincenzo Petrali (1830-1889) was an organist-composer active in the north of Italy. Acclaimed in his own time as a master improviser, the equal in this regard to French contemporaries such as Guilmant and Widor, he left a small, beautifully crafted body of original work for ecclesiastical use, around a third of it presented on this new album. He wrote two organ Masses in the tradition of 17th-century Venetian school composers such as Merula and Merulo, in which each verse of the text and its associated Gregorian chant inspires an instrumental meditation: Paolo Bottini has recorded the lesser-known F major Mass, which includes an especially dramatic, march-like Sonata for the Offertory and an ebullient final Allegro festoso. He belonged to the Cecilian movement, exemplified by the sacred works of Mendelssohn, which sought to establish a new and distinctive idiom for church composition, which is heard to best effect in a quartet of Communion pieces at the end of the first album, which fully exploit the size and array of tone-colors available to him on the newly built instruments of the time. In this spirit Petrali also composed 71 studies ‘for the modern organ’, collected in two volumes, and Paolo Bottini presents almost half of them on album 2. While composed with didactic purposes in mind, training pedal technique, introspection or melancholy but often rhythmic precision, sensitivity and imagination in handling different registers and stops and the like, the studies are delightful character pieces in their own right, not much given to surprisingly sunny in character.
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