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COMPOSERYON, PIETRO ALESSANDRO
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PERFORMERTommaso Mazzoletti
Pietro Yon: Complete Organ Music, Vol. 1 / Tommaso Mazzoletti
- Brilliant Classics
- January 22, 2021
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RELEASE DATEJanuary 22, 2021
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UPC5028421959122
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CATALOG NUMBERBRI95912
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LABELBrilliant Classics
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NUMBER OF DISCS3
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GENRE
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No. 1. Rimembranza
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 2. Humoresque
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 3. Elan du Coeur
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 4. Speranza (Hope)
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 5. Minuetto antico e Musetta
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 6. Il Natale a Settimo Vittone
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 7. Echo (Double canon in unison)
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 8. Arpa Notturna
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 9. Rapsodia Italiana
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 10. American Rhapsody
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 11. Trio all'Ottava
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 12. Cornamusa Siciliana
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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I. Introduzione e allegro
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti, Gaia Federica Caporiccio
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II. Adagio
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti, Gaia Federica Caporiccio
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III. Scherzo
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti, Gaia Federica Caporiccio
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IV. Finale
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti, Gaia Federica Caporiccio
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Canto elegiaco
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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Toccata
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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Suite Umoresca, "La Concertina"
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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Elegia
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 2. Concert Study
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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No. 3. Second Concert Study
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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I. Allegro rustico - Allegro vigoroso
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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II. Adagio triste
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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III. Fantasia e fuga
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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I. Allegro con spirito impetuoso
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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II. Adagio, ma non troppo
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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II. Minuetto
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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IV. Tema e Variazioni
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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I. Introduzione ed Allegro
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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II. Adagio
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
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III. Finale
Composer: Pietro Alessandro Yon
Performer: Tommaso M. Mazzoletti
Featuring ⌄
Product Details ⌄
Works ⌄
Pietro Yon (1886-1943) played in what is widely regarded as one of the finest-ever performances of Beethoven’s Missa solemnis, conducted at Carnegie Hall in 1935 by Arturo Toscanini. Yon was sharing the stage with the likes of Elizabeth Rethberg and Ezio Pinza; he had acquired a comparable celebrity within the organ world in his lifetime, having emigrated from Italy to the US at the age of 21, and become Organist of St Patrick’s Cathedral in New York, the foremost seat of Catholicism in the US. A New York Times profile portrayed him as an adopted New Yorker who moved in high-society circles and enjoyed ragtime and vaudeville, and he welcomed the likes of Caruso and Toscanini to his home as friends. When he died in 1943, the world-famous conductor numbered among the 1300 mourners at St Patrick’s. Yon’s own music has a post-Romantic, mid-Atlantic flavour reflecting his background without belonging to a single ‘school’. Christmas in Settimo Vittone or Rapsodia Italiana draw on his Piedmontese heritage. The trio of large-scale organ sonatas occupying the third album emerge from the virtuoso tradition of 19th-century keyboard writing exemplified by Liszt and translated to the organ by French contemporaries such as Guilmant and Vierne. Album 1 is dedicated to a collection of 12 Divertimenti including not only the Italian-themed character pieces mentioned above but also an expansive ‘American Rhapsody’ – like a transatlantic version of Howells, perhaps, sharing its chromatic harmony with the music of Leo Sowerby – and shorter study-like pieces which exploit the full range of colours available on the organ of St Patrick’s which he had extensively renovated and updated to reflect changing tastes, rather as Pierre Cochereau did at Notre-Dame in Paris.
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