Portrait Lutz-Werner Hesse

$9.99
Label
Musicaphon
Release Date
July 25, 2025
Format
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    Featuring ⌄
    • COMPOSER
      Lutz-Werner Hesse
    • PERFORMER
      Wolfgang Abendroth, Susanne Muller-Hornbach, Thilo Dahlmann, Sinfonieorchester Wuppertal
    Product Details ⌄
    • RELEASE DATE
      July 25, 2025
    • UPC
      4012476357256
    • CATALOG NUMBER
      M35725
    • LABEL
      Musicaphon
    • NUMBER OF DISCS
      1
    • GENRE
      Contemporary Era
    Works ⌄

    1. Fantasia visionaria, Op. 71

      Composer: Lutz-Werner Hesse

      Performer: Wolfgang Abendroth

    2. Élégie, Op. 55

      Composer: Lutz-Werner Hesse

      Performer: Susanne Muller-Hornbach

    3. No. 1. Keine Halme mehr

      Composer: Lutz-Werner Hesse

      Performer: Thilo Dahlmann, Matthias Wierig

    4. No. 2. Mondaufgang

      Composer: Lutz-Werner Hesse

      Performer: Thilo Dahlmann, Matthias Wierig

    5. No. 3. Nacht

      Composer: Lutz-Werner Hesse

      Performer: Thilo Dahlmann, Matthias Wierig

    6. No. 4. Der neidische Mond

      Composer: Lutz-Werner Hesse

      Performer: Thilo Dahlmann, Matthias Wierig

    7. No. 5. Nocturno

      Composer: Lutz-Werner Hesse

      Performer: Thilo Dahlmann, Matthias Wierig

    8. No. 1. O Lamm Gottes

      Composer: Lutz-Werner Hesse

      Ensemble: Clear Voices

    9. No. 2. Christ ist erstanden

      Composer: Lutz-Werner Hesse

      Ensemble: Clear Voices

    10. No. 3. Heut triumphieret

      Composer: Lutz-Werner Hesse

      Ensemble: Clear Voices

    11. Epigramm, Op. 48

      Composer: Lutz-Werner Hesse

      Performer: Dirk Peppel, Jee-Young Phillips

    12. The cloud-capp'd tow'rs, Op. 76

      Composer: Lutz-Werner Hesse

      Ensemble: Opernchor der Wuppertaler Bühnen, Wuppertal Symphony Orchestra

      Conductor: Aleksandar Marković


Composing is a fundamental need for me and a way to express myself. Composing is part of my life and opens up unimagined spaces for me in the creative process. My goal is to make these accessible and understandable to an audience. It is important to me to only write what can be heard. Therefore, I am not interested in abstract and (overly) complicated structures, but rather in organic processes that can be understood. For me, it is less about intellectual comprehension than about a vigilant (emotional) re-experiencing. Only then can the music unfold the effect that is appropriate to it's very special power.