P'ra Voce / Lojendio, Martin

$17.99
Label
IBS Classical
Release Date
May 1, 2020
Format
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    Featuring ⌄
    • COMPOSER
      VARIOUS
    • PERFORMER
      Lojendio, Martin
    Product Details ⌄
    • RELEASE DATE
      May 01, 2020
    • UPC
      8436589069701
    • CATALOG NUMBER
      IBS-22020
    • LABEL
      IBS Classical
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Modinha

      Composer: Jamie Ovalle

      Performer: Raquel Lojendio, Chiky Martín

    2. Azulão, "Bluebird"

      Composer: Jamie Ovalle

      Performer: Raquel Lojendio, Chiky Martín

    3. Floresta do Amazonas (Forest of the Amazon): IV. Melodia Sentimental

      Composer: Heitor Villa-Lobos

      Performer: Raquel Lojendio, Chiky Martín

    4. No. 1. Canção do marinheiro

      Composer: Heitor Villa-Lobos

      Performer: Raquel Lojendio, Chiky Martín

    5. No. 2. Lundú da Marqueza de Santos

      Composer: Heitor Villa-Lobos

      Performer: Raquel Lojendio, Chiky Martín

    6. A Casinha Pequenina

      Composer: Carlos Pagliuchi

      Performer: Raquel Lojendio, Chiky Martín

    7. Toada pra voce

      Composer: Oscar Lorenzo Fernández

      Performer: Raquel Lojendio, Chiky Martín

    8. 2 Canciones, Op. 3: No. 2. Canción a la luna lunanca

      Composer: Alberto Ginastera

      Performer: Raquel Lojendio, Chiky Martín

    9. No. 2. Triste

      Composer: Alberto Ginastera

      Performer: Raquel Lojendio, Chiky Martín

    10. No. 3. Zamba

      Composer: Alberto Ginastera

      Performer: Raquel Lojendio, Chiky Martín

    11. No. 4. Arrorro

      Composer: Alberto Ginastera

      Performer: Raquel Lojendio, Chiky Martín

    12. 2 Canciones, Op. 3: No. 1. Canción al arbol del olvido (Song of the Tree of Forgetfulness)

      Composer: Alberto Ginastera

      Performer: Raquel Lojendio, Chiky Martín

    13. Cuando Acaba de Llover

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    14. 12 Canciones populares: No. 2. El sampedrino (Canción pampeana)

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    15. La tempranera

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    16. Pueblito, mi pueblo

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    17. 12 Canciones populares: No. 8. Pampa sola (Canción del sur)

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    18. Pampamapa (Aire de Huella)

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    19. Ya me voy a retirar

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    20. Préstame tu pañuelito

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    21. Bonita rama de sause

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    22. La rosa y el sauce

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín

    23. Se equivoco la paloma (version for voice and piano)

      Composer: Carlos Guastavino

      Performer: Raquel Lojendio, Chiky Martín


“I compose music because I love it. I love melodies, I love singing. And I have found out with pleasure that there is a public out there who is very interested in my music whenever I publish it. That’s fantastic! I refuse to just compose music designed to be discovered and understood by future generations.” With these words Carlos Guastavino (Santa Fe, 1912 - Buenos Aires, 2000) expressed himself, aware that his art belonged to those who wanted to hear and sing it, reneging on the customary exercise of the composer who seeks to be recognized by the umpteenth harmonic discovery never before tried out. Guastavino enriched the young voice of the Argentine people with his music, giving it a unique and identifiable tone, supporting the tip of his feet in a folklore to which he gave wings to surpass himself. “Cinco canciones argentinas” (Five Argentinean songs), Op. 10. This work exemplarily shows the most characteristic features of what has come to be known as Ginastera’s period of objective nationalism. Namely, the use of folkloric elements and tonal techniques together with other techniques which are typical of atonalism, especially in piano accompaniment.