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COMPOSERVARIOUS
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PERFORMERAleksander Szebesczyk
Quattrocorno 2 / Szebesczyk
- DUX
- June 5, 2020
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RELEASE DATEJune 05, 2020
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UPC5902547015767
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CATALOG NUMBERDUX1576
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LABELDUX
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NUMBER OF DISCS1
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GENRE
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Notturno e divertimento
Composer: Jean Françaix
Performer: Aleksander Szebesczyk
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Andante in D Flat Major (arr. M. Höltzel for horn quartet)
Composer: Anton Bruckner
Performer: Aleksander Szebesczyk
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Symphony No. 4 in F Minor, Op. 36: III. Scherzo: Pizzicato ostinato (arr. L. Shaw for horn quartet)
Composer: Pyotr Ilyich Tchaikovsky
Performer: Aleksander Szebesczyk
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Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Nun lieget alles unter dir (arr. A. Szebesczyk for horn quartet)
Composer: Johann Sebastian Bach
Performer: Aleksander Szebesczyk
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Fugue in A Minor, BWV 947 (arr. R. Lockwood for horn quartet)
Composer: Johann Sebastian Bach
Performer: Aleksander Szebesczyk
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Horn Sonata No. 1 (arr. A. Szebesczyk for horn quartet)
Composer: Luigi Cherubini
Performer: Aleksander Szebesczyk
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Thema und Variationen, Op. 13 (arr. A. Szebesczyk for horn quartet)
Composer: Franz Strauss
Performer: Aleksander Szebesczyk
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Der Rosenkavalier, Op. 59, TrV 227, Act I: Di rigori armato il seno (arr. A Szebesczyk for horn quartet)
Composer: Richard Strauss
Performer: Aleksander Szebesczyk
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Horn Sonata No. 2 (arr. A. Szebesczyk for horn quartet)
Composer: Luigi Cherubini
Performer: Aleksander Szebesczyk
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Symphony No. 2 in B-Flat Major, Op. 19: II. Theme: Lento (arr. A. Szebesczyk for horn quartet)
Composer: Karol Szymanowski
Performer: Aleksander Szebesczyk
Featuring ⌄
Product Details ⌄
Works ⌄
The present album is an attempt to answer the question whether one musician can perform multi-part pieces. In this case, wind instruments are in a particularly unfavorable situation, because, unlike, for example, the violin or piano, one cannot effectively perform chords on them, not to mention the implementation of several melodic lines. The modern recording technique combined with a suitable computer software allows us to register subsequent voices and then combine them into a whole – it is widely used in popular music. However, in the case of classical chamber music, the requirements for this type of recording are much higher... This album by Aleksander Szebesczyk makes the listeners aware that even on the basis of purely instrumental works, this kind of complicated procedures can result in a number of unique and at the same time convincing sonorist and aesthetic impressions.
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