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COMPOSERREINECKE, CARL
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ORCHESTRA / ENSEMBLERadio-Sinfonieorchester Stuttgart Des Swr
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PERFORMERRuhland, Heiligers, Liebreich
Reinecke: Flute Concertos & Flute Sonatas / Ruhland
- CPO
- October 6, 2017
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RELEASE DATEOctober 06, 2017
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UPC761203794928
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CATALOG NUMBER777949-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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I. Allegro molto moderato
Composer: Carl Reinecke
Ensemble: Radio-Sinfonieorchester Stuttgart des SWR
Performer: Tatjana Ruhland
Conductor: Alexander Liebreich
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II. Lento e mesto
Composer: Carl Reinecke
Ensemble: Radio-Sinfonieorchester Stuttgart des SWR
Performer: Tatjana Ruhland
Conductor: Alexander Liebreich
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III. Finale: Moderato
Composer: Carl Reinecke
Ensemble: Radio-Sinfonieorchester Stuttgart des SWR
Performer: Tatjana Ruhland
Conductor: Alexander Liebreich
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I. Adagio
Composer: Carl Reinecke
Ensemble: Radio-Sinfonieorchester Stuttgart des SWR
Performer: Tatjana Ruhland
Conductor: Alexander Liebreich
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II. Allegro
Composer: Carl Reinecke
Ensemble: Radio-Sinfonieorchester Stuttgart des SWR
Performer: Tatjana Ruhland
Conductor: Alexander Liebreich
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III. Tempo I
Composer: Carl Reinecke
Ensemble: Radio-Sinfonieorchester Stuttgart des SWR
Performer: Tatjana Ruhland
Conductor: Alexander Liebreich
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I. Allegro
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
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II. Intermezzo: Allegretto vivace - Più lento, quasi andante
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
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III. Andante tranquillo - Molto vivace
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
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IV. Finale: Allegro molto agitato ed appassionato, quasi presto
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
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I. Allegro moderato
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
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II. Andante con moto
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
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III. Allegretto grazioso
Composer: Carl Reinecke
Performer: Tatjana Ruhland, Eckart Heiligers
Featuring ⌄
Product Details ⌄
Works ⌄
Tatjana Ruhland has been described as »the Paganini of the flute.« At the very latest since her debut at New York’s Carnegie Hall she has numbered among the most prominent artists performing on the flute. On the present program she dedicates herself to Carl Reinecke’s chamber and concertante flute compositions, all of which he composed during the second half of his life. Along with the Undine Sonata op. 167 for flute and piano, today his most frequently performed work, the recording features the two concertante works written by him when he was over eighty years old. Here the initial dominance of stylistic elements associated with Mendelssohn has yielded to a tonal language that is both electrifying and highly individual. Reinecke’s music is diatonic in design but so strongly pervaded by semitones and suspensions that it also continues to flow. The »build-up phase« of the concertante last movements is only one of the procedures hardly invented by Reinecke but very much loved by him.
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