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COMPOSERDE CLEVE PEVERNAGE HAGIUS P
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PERFORMERSinger Pur
Renaissance Am Rhein / Singer Pur
- Oehms Classics
- November 16, 2010
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RELEASE DATENovember 16, 2010
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UPC4260034868205
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CATALOG NUMBEROC820
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LABELOehms Classics
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NUMBER OF DISCS1
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Qualis est dilecta mea
Composer: Petit Jean De Latre
Ensemble: Singer Pur
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Tota pulchra es
Composer: Nikolaus Zangius
Ensemble: Singer Pur
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Laudes Vespertinae: Salve Regina
Composer: Andreas Pevernage
Ensemble: Singer Pur
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Oh Herr dein ohr mit gnaden
Composer: Konrad Hagius
Ensemble: Singer Pur
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Liber primus cantionum: O Dee cunctiparens
Composer: Martin Peudargent
Ensemble: Singer Pur
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Mirabilia testimonia tua, Domine
Composer: Johannes de Cleve
Ensemble: Singer Pur
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Es wel uns Gott genedig sein
Composer: Johannes de Cleve
Ensemble: Singer Pur
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Aachen Choirbook II: O Mors, quam amara
Composer: Orlande de Lassus
Ensemble: Singer Pur
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In craticula te Deum non negavi
Composer: Johannes Mangon
Ensemble: Singer Pur
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Comme la rose
Composer: Petit Jean De Latre
Ensemble: Singer Pur
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Sacrae cantiones: Hactenus a longo praestolor
Composer: Jean de Castro
Ensemble: Singer Pur
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Vien doux Hymenee
Composer: Jean de Castro
Ensemble: Singer Pur
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Etliche schöne teutsche geistliche und weltliche Lieder: Ein Einfalt zu dem Pfarrherr sprach
Composer: Nikolaus Zangius
Ensemble: Singer Pur
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Liederbuch des Arnt von Aich: Ein pauer gab seim son ein weib
Composer: Anonymous
Ensemble: Singer Pur
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Si seulle estois
Composer: Petit Jean De Latre
Ensemble: Singer Pur
Featuring ⌄
Product Details ⌄
Works ⌄
RENAISSANCE AM RHEIN • Singer Pur Ens • OEHMS OC 820 (66:39 Text and Translation)
Music of JEAN DE LATRE, ZANGIUS, PEVERNAGE, HAGIUS, PEUDARGENT, JOHANNES DE CLEVE, LASSUS, MANGON, CASTRO, ANON
The occasion for this recorded program was an exhibit in Bonn (just concluded) devoted to the art and culture of the Renaissance as it flourished in the lower Rhineland, from Liège and Aachen to Cologne, Düsseldorf, and Cleves. The program mixes seven Latin-texted works, some with unfamiliar texts, with eight secular songs in German or French. The works are mostly obscure, but certainly one of the most obscure is O Dee cunctipotens by Martin Peudargent (active at the court of Cleves), which the notes describe as “one of the few works [of his] that has not been released on CD.” Since I couldn’t find his name in any record catalog before this, this seemed strange, but it turns out that a full SACD of his music appeared on an obscure German label a couple of years ago. Petit Jean de Latre, who served in Liège, had a whole LP devoted to his sixth book of chansons ( Fanfare 7:4), but none of his three selections here duplicate that program. These composers are poorly represented on discs, nothing here being duplicated. Such names as Konrad Hagius and Johannes de Cleve are totally obscure. Even the single Lassus motet seems to be a first recording.
Singer Pur, graduates of the Regensburg choir school (with a soprano added), have been recording regularly. This is one of their more imaginative programs, interesting for its variety, the rarity of the selections, and the special occasion that resulted in its production. Pevernage’s Salve Regina is interesting for its alternation between the solemn chant setting and polyphony, considerably more than simply intoning the first phrase in chant. Lassus’s meditation on death, O mors quam amara , is exquisite. The program ends on a lighter note with two German songs, hard to appreciate fully in the German dialect without English (only the Latin texts are translated into German). The Bonn museum exhibit focused on art and culture as well as music, emphasizing the distinct character of the Renaissance in northern climes, inconsistent with the familiar Italian models. This program will not duplicate anything in your collection.
FANFARE: J. F. Weber
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